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Music 2 - What's On In Sutton Coldfield - Page 2

We Will Rock You – Manor Musical Theatre Company ⭐️⭐️⭐️⭐️⭐️

We Will Rock You – Manor Musical Theatre Company
Sutton Coldfield Town Hall
Monday 11th May 2026 – Dress Rehearsal
By  Nigel Gambles
Photography –Studio 55 Photography

There was only ever going to be one word to describe We Will Rock You at Sutton Coldfield Town Hall this week — spectacular.

Manor Musical Theatre Company delivered a high-energy, crowd-pleasing rock extravaganza packed with powerhouse vocals, huge ensemble numbers and the unmistakable music of Queen, all met with rapturous applause from an audience clearly loving every minute.

Under the direction of Louise Holmes — making her first production with Manor — alongside choreographer Connie Mortiboy, the show bursts with confidence, movement and attitude from the opening moments. Together they create a production that feels ambitious, vibrant and full of genuine rock concert energy, while Musical Director Chris Arnold and the live band drive the show forward superbly throughout the evening.

Two standout debut lead performances came from Dan Hardy as Galileo and Siobhon Louise Thornley as Scaramouche. Both brought exceptional vocals, warmth and charisma to the production, while their chemistry together gave the show real heart beneath all the spectacle. Hardy delivered Galileo’s humour and vulnerability brilliantly, while Thornley’s sharp comic timing and commanding vocals lit up the stage whenever she appeared.

Juliet Fisher gave a fantastic performance as Oz, combining strong vocals with real emotional depth, while Dan McCloskey brought plenty of presence and power to Brit, helping anchor many of the show’s biggest ensemble moments.

Chloe Mason was outstanding as Killer Queen, commanding the stage with confidence, attitude and a wonderfully theatrical performance that perfectly suited the over-the-top glamour of the role. Supported brilliantly by Kian Haden as Khashoggi, the pair created a formidable villainous partnership that added real energy and drama throughout.

Meanwhile Mike Willis delivered a hugely entertaining performance as Buddy, capturing the spirit of the old-school rocker with warmth, humour and excellent audience connection. His scenes brought some of the loudest reactions of the night.

The ensemble throughout deserve enormous praise. Productions like this only succeed when the company fully commits to the scale and energy required — and Manor absolutely did that. The choreography was sharp, the stage movement constantly alive and the ensemble vocals powerful throughout.

Special mentions also go to Mia Davies, Sarah Cotter, Lia Cadman, Millie Marshall, Sammi Kelly-Griggs and Billy Skinner for their excellent supporting performances and contribution to the overall energy of the production.

Technically, the show looked superb. The lighting design from Going Dark Theatrical Services created a true arena-rock atmosphere, while Leigh Yeomans’ sound design ensured Queen’s legendary music retained all of its power and impact. Combined with strong staging, video wall visuals and an energetic live band, the production often felt far bigger than the Town Hall stage itself.

And of course, at the centre of it all is the music. From “Somebody To Love” to “Radio Ga Ga,” “Bohemian Rhapsody” and the triumphant finale, the audience response said everything. Singing, cheering, clapping along — this was musical theatre doing exactly what it should: bringing people together for a joyful night of entertainment.

Manor Musical Theatre Company’s production of We Will Rock You is bold, loud, funny and full of heart — a hugely enjoyable celebration of Queen’s music performed by a company clearly having the time of their lives on stage.

Fame The Musical – Lichfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Fame The Musical – Lichfield Musical Youth Theatre
Lichfield Garrick
Wednesday 25th March 2026 – Opening Night
By  Tracey Spare
Photography – Lichfield Musical Youth Theatre

For those of a certain age, the very mention of Fame The Musical instantly evokes leg warmers, sweatbands and the unforgettable journey of young performers chasing their dreams in New York’s High School of Performing Arts — and this latest production by Lichfield Musical Youth Theatre captures that spirit brilliantly.

This energetic and ambitious staging charts the students’ journey from audition through to graduation, navigating the highs, lows and relentless demands of life in the performing arts. It’s a show that naturally calls for a large, versatile company — and here, that depth of talent is one of its greatest strengths.

At the heart of the production are the principal performers portraying the recognisable characters of Nick Piazza (Ollie Clay), Serena Katz (Imogen Willis), Joe Vegas (Zach Andrews), Tyrone Jackson (Connor Orchard), Carmen Diaz (Molly Darby), Iris Kelly (Romelly Collier) and Mabel Washington (Isabella Hamilton) — each bringing focus, character and confidence to their roles. Vocally strong and emotionally grounded, these performances anchor the production with real credibility.

However, what truly elevates this show is the ensemble — the “Class of 2026” students — whose presence is felt in every moment. Whether filling the stage with tightly choreographed routines or supporting the narrative through movement and atmosphere, they deliver an impressive sense of scale. At times, with over thirty performers on stage, the coordination, energy and discipline on display is remarkable.

The choreography is sharp and dynamic, reflecting the intensity of a performing arts environment, while the musical numbers are delivered with both power and sincerity. There’s a clear sense that this is a company fully committed to the material — and crucially, enjoying every moment of it. Any hint of opening night nerves is absent, replaced with confidence and cohesion.

Behind the scenes, the production is steered with precision by Director Patrick Jervis, supported by Musical Director Oliver Rowe and Choreographer Jessica Bennett, whose combined vision brings clarity and pace to an otherwise demanding production.

The backstage and technical teams also deserve huge recognition. From lighting (Stephen Rainsford) and sound (Sam Burkinshaw) to costumes, props and stage management, every element contributes to a slick, well-executed performance that feels both professional and polished.

A particular highlight is the live orchestra, led by Oliver Rowe, whose musicianship adds depth and authenticity throughout — elevating the production beyond expectation for youth theatre.

The audience response on the night spoke volumes. A packed house — filled with proud families, friends and local theatre lovers — responded warmly throughout, culminating in a rousing finale as the full cast returned in glittering costumes to reprise the iconic title track Fame. It’s a moment of pure theatrical joy and a fitting celebration of everything the show represents.

This is a production that doesn’t just showcase emerging talent — it celebrates it. A vibrant, high-energy, and thoroughly enjoyable evening of theatre that proves Lichfield Musical Youth Theatre continues to go from strength to strength.

Performances continue throughout the week at The Garrick Theatre, with evening shows and a Saturday matinee available.

The Wizard Of Oz – Sutton Coldfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

The Wizard Of Oz – Sutton Coldfield Musical Youth Theatre
Sutton Coldfield Town Hall
Monday 16th February – Dress Rehearsal
By Nigel Gambles
Photography – Studio 55 Photography

There’s no place like home… and on this occasion, there was certainly no better place to be than Sutton Coldfield Town Hall, where Sutton Coldfield Musical Youth Theatre transported audiences down the Yellow Brick Road in a vibrant, heartfelt production of The Wizard of Oz.

From the opening notes of Over the Rainbow, it was clear this was a special evening. The transition from sepia-toned Kansas to the dazzling colour of Oz was beautifully handled, drawing audible gasps from the audience and setting the tone for a joyful theatrical journey.

Leading the way was Lola Hinsley as Dorothy, delivering a wonderfully warm and sincere performance. Her vocals were confident and emotionally grounded, capturing Dorothy’s innocence while showing impressive strength for such a demanding role. She carried the story effortlessly — a truly standout portrayal.

And then there was Biscuit as Toto — quite simply, the scene-stealer of the night. Every entrance earned smiles, laughs, and spontaneous applause. Proof, if ever it was needed, that four legs can sometimes upstage an entire cast.

Dorothy’s companions were equally engaging:

  • Elliott Winhall brought charm and comedy as the Scarecrow,

  • Jamie Wilson offered heart and humour as the Tin Man,

  • Euan Barnby delivered a delightful Cowardly Lion with great physicality and timing.

Louise Heard revelled in her role as Miss Gulch / The Wicked Witch, striking the perfect balance between menace and theatrical fun, while George Wells added gravitas and warmth as Professor Marvel / The Wizard.

Supporting roles were handled with confidence by Daisy Moore (Aunt Em / Glinda) and Kian Haden (Uncle Henry / Guard), with strong contributions from principal vocalists Erin Freeman, Grace Wilson, Molly Lewis and Neve Matthews.

The principal dancers — Anna Green, Aubane Doireau, Daisy Yates, Erin Freeman, Esme Wolverson, Molly Lewis, Natalie Heard, Neve Matthews, Peyton Lockley and Sophia Reeve — brought real energy and polish to the Emerald City sequences, while the full ensemble filled the stage with colour, movement and infectious enthusiasm.

Behind the scenes, this production was steered with care and creativity by director Georgia Young, supported by musical director Imogen Botham and choreographer Ellie Johnstone, with Neve Matthews also serving as Dance Captain. The result was a tightly paced show with lively choreography and well-balanced musical moments.

Stage management by Paula Lumsden, alongside a dedicated crew including Finley Waldron, Paul Lumsden, Ian Bowley, Ed Hill, Nathan Rock, Tom Wells, Hannah Litwinne, Simon Smith, Kate Holland, Lauren Orgil and Mark Shett, ensured everything ran smoothly.

Costumes by Suzanne Harris (assisted by Liv Lawton) were bright and characterful, while lighting from Going Dark Theatrical Services, sound by Sam Bukhshav, scenery by Made to Measure Productions, and props from Theatre House combined to create a fully immersive Oz.

⭐ A Fond Farewell

This production also marks a bittersweet milestone for director Georgia Young, who, after five productions with the youth group, will now be moving on to the adult company, where she’ll be producing Frozen next year. She will be deeply missed by the youth cast and families alike — her passion, encouragement and creative vision have clearly left a lasting legacy.

What truly sets this production apart is the heart behind it. Every scene reflects the dedication, rehearsal hours, and genuine love for theatre shared by cast and crew alike.

A joyful, polished and thoroughly uplifting evening — and another shining example of just how strong Sutton Coldfield’s youth theatre scene continues to be.

Click those ruby slippers and follow that Yellow Brick Road — you won’t regret it. 👠✨

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