Fame The Musical – Lichfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Fame The Musical – Lichfield Musical Youth Theatre

Lichfield Garrick

Wednesday 25th March 2026 – Opening Night

By Tracey Spare

Photography – Lichfield Musical Youth Theatre

For those of a certain age, the very mention of Fame The Musical instantly evokes leg warmers, sweatbands and the unforgettable journey of young performers chasing their dreams in New York’s High School of Performing Arts — and this latest production by Lichfield Musical Youth Theatre captures that spirit brilliantly.

This energetic and ambitious staging charts the students’ journey from audition through to graduation, navigating the highs, lows and relentless demands of life in the performing arts. It’s a show that naturally calls for a large, versatile company — and here, that depth of talent is one of its greatest strengths.

At the heart of the production are the principal performers portraying the recognisable characters of Nick Piazza (Ollie Clay), Serena Katz (Imogen Willis), Joe Vegas (Zach Andrews), Tyrone Jackson (Connor Orchard), Carmen Diaz (Molly Darby), Iris Kelly (Romelly Collier) and Mabel Washington (Isabella Hamilton) — each bringing focus, character and confidence to their roles. Vocally strong and emotionally grounded, these performances anchor the production with real credibility.

However, what truly elevates this show is the ensemble — the “Class of 2026” students — whose presence is felt in every moment. Whether filling the stage with tightly choreographed routines or supporting the narrative through movement and atmosphere, they deliver an impressive sense of scale. At times, with over thirty performers on stage, the coordination, energy and discipline on display is remarkable.

The choreography is sharp and dynamic, reflecting the intensity of a performing arts environment, while the musical numbers are delivered with both power and sincerity. There’s a clear sense that this is a company fully committed to the material — and crucially, enjoying every moment of it. Any hint of opening night nerves is absent, replaced with confidence and cohesion.

Behind the scenes, the production is steered with precision by Director Patrick Jervis, supported by Musical Director Oliver Rowe and Choreographer Jessica Bennett, whose combined vision brings clarity and pace to an otherwise demanding production.

The backstage and technical teams also deserve huge recognition. From lighting (Stephen Rainsford) and sound (Sam Burkinshaw) to costumes, props and stage management, every element contributes to a slick, well-executed performance that feels both professional and polished.

A particular highlight is the live orchestra, led by Oliver Rowe, whose musicianship adds depth and authenticity throughout — elevating the production beyond expectation for youth theatre.

The audience response on the night spoke volumes. A packed house — filled with proud families, friends and local theatre lovers — responded warmly throughout, culminating in a rousing finale as the full cast returned in glittering costumes to reprise the iconic title track Fame. It’s a moment of pure theatrical joy and a fitting celebration of everything the show represents.

This is a production that doesn’t just showcase emerging talent — it celebrates it. A vibrant, high-energy, and thoroughly enjoyable evening of theatre that proves Lichfield Musical Youth Theatre continues to go from strength to strength.

Performances continue throughout the week at The Garrick Theatre, with evening shows and a Saturday matinee available.

The Wizard Of Oz – Sutton Coldfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

The Wizard Of Oz – Sutton Coldfield Musical Youth Theatre

Sutton Coldfield Town Hall

Monday 16th February – Dress Rehearsal

By Nigel Gambles

Photography – Studio 55 Photography

There’s no place like home… and on this occasion, there was certainly no better place to be than Sutton Coldfield Town Hall, where Sutton Coldfield Musical Youth Theatre transported audiences down the Yellow Brick Road in a vibrant, heartfelt production of The Wizard of Oz.

From the opening notes of Over the Rainbow, it was clear this was a special evening. The transition from sepia-toned Kansas to the dazzling colour of Oz was beautifully handled, drawing audible gasps from the audience and setting the tone for a joyful theatrical journey.

Leading the way was Lola Hinsley as Dorothy, delivering a wonderfully warm and sincere performance. Her vocals were confident and emotionally grounded, capturing Dorothy’s innocence while showing impressive strength for such a demanding role. She carried the story effortlessly — a truly standout portrayal.

And then there was Biscuit as Toto — quite simply, the scene-stealer of the night. Every entrance earned smiles, laughs, and spontaneous applause. Proof, if ever it was needed, that four legs can sometimes upstage an entire cast.

Dorothy’s companions were equally engaging:

Elliott Winhall brought charm and comedy as the Scarecrow,
Jamie Wilson offered heart and humour as the Tin Man,
Euan Barnby delivered a delightful Cowardly Lion with great physicality and timing.

Louise Heard revelled in her role as Miss Gulch / The Wicked Witch, striking the perfect balance between menace and theatrical fun, while George Wells added gravitas and warmth as Professor Marvel / The Wizard.

Supporting roles were handled with confidence by Daisy Moore (Aunt Em / Glinda) and Kian Haden (Uncle Henry / Guard), with strong contributions from principal vocalists Erin Freeman, Grace Wilson, Molly Lewis and Neve Matthews.

The principal dancers — Anna Green, Aubane Doireau, Daisy Yates, Erin Freeman, Esme Wolverson, Molly Lewis, Natalie Heard, Neve Matthews, Peyton Lockley and Sophia Reeve — brought real energy and polish to the Emerald City sequences, while the full ensemble filled the stage with colour, movement and infectious enthusiasm.

Behind the scenes, this production was steered with care and creativity by director Georgia Young, supported by musical director Imogen Botham and choreographer Ellie Johnstone, with Neve Matthews also serving as Dance Captain. The result was a tightly paced show with lively choreography and well-balanced musical moments.

Stage management by Paula Lumsden, alongside a dedicated crew including Finley Waldron, Paul Lumsden, Ian Bowley, Ed Hill, Nathan Rock, Tom Wells, Hannah Litwinne, Simon Smith, Kate Holland, Lauren Orgil and Mark Shett, ensured everything ran smoothly.

Costumes by Suzanne Harris (assisted by Liv Lawton) were bright and characterful, while lighting from Going Dark Theatrical Services, sound by Sam Bukhshav, scenery by Made to Measure Productions, and props from Theatre House combined to create a fully immersive Oz.

⭐ A Fond Farewell

This production also marks a bittersweet milestone for director Georgia Young, who, after five productions with the youth group, will now be moving on to the adult company, where she’ll be producing Frozen next year. She will be deeply missed by the youth cast and families alike — her passion, encouragement and creative vision have clearly left a lasting legacy.

What truly sets this production apart is the heart behind it. Every scene reflects the dedication, rehearsal hours, and genuine love for theatre shared by cast and crew alike.

A joyful, polished and thoroughly uplifting evening — and another shining example of just how strong Sutton Coldfield’s youth theatre scene continues to be.

Click those ruby slippers and follow that Yellow Brick Road — you won’t regret it. 👠✨

Aladdin – Sutton Arts Theatre ⭐️⭐️⭐️⭐️⭐️

Aladdin – Sutton Arts Theatre

Sutton Arts Theatre

Friday 5th December– Dress Rehearsal

By Nigel Gambles

Photography – Studio 55 Photography

Sutton Arts Theatre’s Aladdin, directed by Emily Armstrong and Dexter Whitehead, is a delightful festive adventure packed with sparkle, laughter and heart. With its dazzling costumes, lively choreography and plenty of panto fun, this production truly captures the magic of the season.

Harriet Gordon shines in the title role with a fantastic voice and natural stage presence. Her chemistry with Evie O’Malley as Princess Jasmine is effortless — their duets are beautifully performed and stand out as real highlights of the evening.

Paul Atkins is a joy as Widow Twankey, stealing every scene with his outrageous outfits and quick-fire one-liners. Dave Thane makes a wonderfully menacing Abanazar, delivering just the right amount of villainy to keep the boos and hisses coming thick and fast.

Keyleigh Alison delights as Lala, Wishy-Washy’s loyal admirer, adding extra comic charm with her Brummie humour and lively stage presence. Jerome Pinnock-Glasgow gives an energetic and enthusiastic turn as the Genie, while Kane Blundell and Connor Taylor are a hilarious pairing as Sgt Tik and PC Tok, keeping the laughs flowing throughout.

Micah Hardwick-Beckford brings poise and grace as the Spirit of the Ring, providing a calm and engaging narrative thread that ties the story together. The ensemble dance numbers, choreographed by Janine Henderson, are slick, well-rehearsed and full of festive energy, complemented by strong musical direction from Gladstone Wilson and his talented band.

With colourful sets designed by Mark Nattrass and an enthusiastic company clearly enjoying every moment, this is pantomime done right – bright, funny and full of heart.

Standout performances come from Harriet Gordon, Evie O’Malley and Paul Atkins, who together anchor the show with charisma, chemistry and comedy.

⭐️⭐️⭐️⭐️⭐️
A magical, feel-good panto bursting with talent, laughter and festive sparkle — a real Christmas treat from Sutton Arts Theatre.

Into The Woods – Script Youth Musical Theatre ⭐️⭐️⭐️⭐️⭐️

Into the Woods – Script Youth Musical Theatre

Crescent Theatre – Birmingham

Friday 28th November– Dress Rehearsal

By Lee Williams

**Photography – Lee Williams Photography (For WOISC)**

If you love fairy tales but wish they had a bit more bite (and more songs), “Into The Woods” is right up your alley. This musical, created by Stephen Sondheim and James Lapine, takes stories you already know—Cinderella, Jack and the Beanstalk, Little Red Riding Hood, Rapunzel—and mashes them together in a way that’s both hilarious and surprisingly deep. Since hitting Broadway in 1987, it’s become a favourite for theatre fans everywhere. Now it’s here – presented by Script Youth Musical Theatre Company.

At first glance, it’s a strange and wild mix of familiar characters all heading into the woods to chase after their biggest dreams. The Baker and his Wife just want a kid, but a Witch has put a curse on them. Everyone’s paths cross, and things get out of hand fast. Wishes do come true—but not always in the way anyone expects.

The music in “Into The Woods” is awesome. In the original Sondheim really knew how to write songs that stick with you. From the catchy and funny “Agony” to the moving “No One Is Alone,” there’s a great mix of humour and heart. The lyrics are clever, packed with puns and deeper meanings, so there’s always something new to catch each time you listen.

The production and set here is kept simple, letting your imagination fill in the rest. There’s plenty of room for cool lighting and sound effects, and with so many characters sharing the stage, things stay lively and fun.

This show gives actors a lot to work with—no boring roles here! Whether it’s the Baker, the Witch, or even Little Red Riding Hood, everyone gets a moment to shine. Performances by Gracie Reynolds and Masie Holdsworth as the Witch are lively and pop whereas Daniel George and Niamh Scott-Walters/Lexi Roberts play the Baker and Baker’s Wife brilliantly. We must admit, Nancy Reynolds and Isla Rose Thompson play extremely cute cows!

“Into The Woods” is loads of fun, with catchy songs and sharp humour, but it also has something to say. Whether you’re watching for the first time or the fiftieth, you’ll find new bits to enjoy and think about. So, if you’re up for a musical that’s smart, funny, and a little bit dark, don’t miss your chance to get lost in these woods.

Samantha Barks – Lichfield Cathedral ⭐️⭐️⭐️⭐️⭐️

Samantha Barks : The Cathedral Tour

Lichfield Cathedral

Wednesday 12th November 2025

By : Tracey Spare for WOISC

Photography : Tracey Spare for WOISC

Award-winning Broadway, West End and film star, Samantha Barks, breezed into Lichfield Cathedral last night for the first night of her seven-night Cathedral Tour.

Samantha Barks first came to public attention in 2008 finishing third in the BBC talent show ‘I’d Do Anything’ – Andrew Lloyd Webber’s search for a new unknown lead to play Nancy in the West End revival of Oliver in the West End.

In 2009 she was confirmed to play the lead role of Sally Bowles in the UK tour of Cabaret and made her film debut as Éponine in the 2012 adaptation of Les Misérables.

She played Velma Kelly in the 2013 Hollywood Bowl production of Chicago and has since followed with further landmark lead roles on Broadway in the stage musical of Pretty Women & as Elsa in the West End production of Frozen.

Over 700 people packed into Lichfield Cathedral to hear Samantha take us on an eclectic journey through some of her lead roles including songs from Frozen, Oliver, Les Misérables and a spellbinding sole rendition of her favourite Andrew Lloyd Webber song Another Suitcase in Another Hall from Evita.

Many of the remaining songs were selected by members of the audience with the evening intertwined answering questions submitted ahead of the concert by fans gathered in the medieval cathedral.

She seamlessly included popular songs including Shania Twain’s ‘You’re Still the One’ along with renditions of ‘Lose Control’ by Teddy Swims, and ‘What Was I Made For? by Billie Eilish both of which she performed whilst winning the 2025 ITV Series of ‘The Masked Singer’.

It was the first time she’d performed in a cathedral, and she was undoubtedly thrilled of opportunity to perform in such unique surroundings. The stripped back set – she was accompanied by a pianist and cellist surrounded by dozens of candles at the front of the stage – allowed her voice to blossom amongst the high arches.

The end of each song was greeted with rapturous applause, and she returned to the stage to conclude the concert with an encore singing ‘On My Own’ from Les Misérables.

Samatha Barks Cathedral Tour details can be found visiting https://lambertjackson.co.uk/samantha-barks

Jesus Christ Superstar – SCMTC ⭐️⭐️⭐️⭐️⭐️

Jesus Christ Superstar – Sutton Coldfield Musical Theatre

Sutton Coldfield Town Hall

Monday November 3rd – Dress Rehearsal

By Nigel Gambles

Photography – Studio 55 Photography

I know this show has enduring appeal; friends had raved about various productions of the rock opera, citing its powerful score, emotion, and timeless themes. Yes, the show still feels hauntingly relevant today. Telling the story of Jesus’s last week, themes of betrayal, fame, fear, bullying, and salvation can all be interpreted through a modern lens. Add to that a soaring, emotionally charged score, and you have a musical that still resonates today.

I first saw this show in 1973, it was the original production starring Paul Nicholas and Dana Gillespie when I was a young and impressionable teenager on a school trip to London. To this day, and after seeing many different musicals since, Jesus Christ Superstar remains one of my absolute favourites. It left a lasting impression on me through the sheer power of the music, the extraordinary vocals, and its timeless themes, which still feel just as relevant half a century later.

It takes no small amount of courage to stage Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar, a rock opera that demands powerhouse vocals, razor-sharp musical timing, and a flair for the theatrical. Sutton Coldfield Musical Theatre’s production rises to the challenge with energy, conviction, and moments of genuine brilliance.

From the opening guitar riff of “Heaven on Their Minds,” it was clear this was a group ready to give their all. Leo Foëtu-Foster’s Judas anchored the show with a strong voice and emotional intensity, navigating the character’s moral torment with a raw, human touch. Opposite him, Tom Well’s Jesus balanced serenity and anguish, delivering “Gethsemane” with a vulnerability that will hush the room. Definitely a standout moment of the evening.

Juliet Fisher’s portrayal of Mary Magdalene was another standout performance. She brought warmth and quiet strength to the role, balancing tenderness with emotional depth. Her performance of “I Don’t Know How to Love Him” was delivered with sincerity and beautiful control, providing a gentle contrast to the intensity of the surrounding scenes. The chemistry between Mary, Jesus, and Judas was believable and added a human touch to the story’s spiritual themes.

The chorus brought strong energy to ensemble numbers like “Hosanna” and “Superstar,” and their enthusiasm, vibrant presence and commitment creating a dynamic atmosphere.

Making his debut as director Simon Smith has made imaginative use of the modest stage space, using minimal props barring some stepped section at the rear and sides of the stage and the cross in the finale. Doing so he has created a fast-paced production that never loses its sense of intimacy.

A particular highlight of this production was the choreography, which was both imaginative and dynamic. Under the direction of Maggie Jackson, the movement was tightly executed and visually striking, enhancing the storytelling without ever feeling forced. From the pulsating energy of the crowd scenes to the subtle, expressive gestures in the more reflective moments, the choreography added a layer of professionalism and polish that lifted the entire production. It was clear the cast had worked hard to master the demanding routines, and their commitment paid off beautifully.

The live band, led by Sheila Pearson, provided a solid rock backing that gave the show its essential drive. At times the volume seemed a little overpowering, but the overall sound was impressive.

Lighting by Going Dark Theatrical heightened intensity and mood, while the costuming blended traditional and contemporary elements effectively. More than the technical achievements, what shone brightest was the passion of the entire company.

This production was clearly a labour of love, and that heartfelt commitment carried right through to the final moments.

My Fair Lady – Cloc Musical Theatre Company ⭐️⭐️⭐️⭐️⭐️

My Fair Lady – Cloc MTC

Sutton Coldfield Town Hall

Wednesday 22nd October 2025 – Opening Night

By Nigel Gambles

Photography – Studio 55 Photography

‘My Fair Lady’ is a wonderful show. The musical is set in London, in that great period at the beginning of the 20th century, when the Empire, King and country were all Great with a capital G, and tells the story of a famous English Language phonetician, Henry Higgins, who makes a bet with friend and fellow linguist, Colonel Pickering, that he can turn a working-class flower seller into a high society lady in six months. The challenge is accepted, since Eliza herself the “guttersnipe” flowergirl wishes to learn to speak properly in order to work in a flower shop.

I have seen the show once before about 25 years ago with a star studded cast including Jonathan Pryce, Martine McCutcheon and Dennis Waterman, very nice you might say, but my point is that this cast from Cloc MTC could easily take their places, so polished and professional are their performances.

First off, this is a long show nearly three hours so get comfortable for a long but rewarding journey in uncomfortable theatre chairs!

The set is predominantly a huge screen showing scenes of London, Covent Garden, Ascot and general street scenes. This worked superbly with only a few props having to be moved on and off stage.

John Biddell plays Henry Higgins. One of the standout aspects of Johns’s portrayal was his ability to capture Higgins’ arrogance and condescension. Higgins is a character who is used to getting his way and sees himself as superior to those around him, particularly Eliza. John was able to convey this sense of superiority through his posture, facial expressions, and vocal inflections, at the same time he also showed Higgins vulnerability and humanity. John managed to show this complexity through his performance and particularly his interactions with Eliza.

Moving on to Eliza Dolittle, Audrey Hepburn who made this role unmatchable that is until Samantha Rogers took on the role, her fabulous voice and wonderful acting gave soul to the character. Her vocal range is incredible and she demonstrates excellent control. She brought Eliza to life in a way that few performers have before. Her performance was subtle and detailed and her singing had wonderful quality that draws the audience in and keeps them engaged. Her incredible voice, combined with her acting skills, made her portrayal of Miss Doolittle truly unforgettable. She left a lasting impression on us.

Matt Beebe made a lively, spritely, and considerate Pickering. A lovely clear voice and diction as well as a great stage presence helped his character along nicely. Hayley Howen as Henry’s mother, Mrs.Higgins was a delight, as was Stacey Muxlow’s Mrs Pearce. Alex Nash gives a wonderful performance as the lovestruck Freddie and his rendition of On The Street Where You Live was beautiful and really endearing.

The principals were supported by a large and enthusiastic chorus of all ages, filling the stage where necessary.

Producer Rosemary Ravenscroft has done an excellent job pulling together this mammoth show whilst installing a level of commitment and enthusiasm from what must be hours and hours of rehearsals, that is off the scale, this can be seen in the dance sections choreographed by Teresa Biddell which are superb and so in sync – perfect.

The orchestra led by Peter Wingate were excellent if not somewhat over powering in a few sections. Lighting by Going Dark was as usual “spot on”.

Charlie & The Chocolate Factory – Lichfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Charlie & The Chocolate Factory – Lichfield Musical Youth Theatre

Lichfield Garrick

Tuesday 23rd September 2025

By : Nigel Gambles

Photography by : LMYT

Charlie and The Chocolate Factory The Musical opened on the West End in 2013 where it ran for 3.5 years but it took another 10 years for the show to tour the UK. The show is based on the Roald Dahl book which tells of Charlie Bucket who spends his day dreaming of chocolate. When Willy Wonka announces a chance for 5 children to win a tour around the famous chocolate factory, it sends the world into a frenzy but with Charlie’s family struggling to afford just one chocolate bar it looks unlikely that they would win, let alone the chance to win the biggest prize of them all.

The show is one of two halves. Act 1 focuses on the hunt for the winning tickets, Charlie’s daily struggles and his relationship with his Mother and Grandparents also the burgeoning friendship with the chocolate shop owner. As each child that wins a ticket they get a song that introduces their character with an introduction from reporters. Charlie finding the ticket seemed a little anti-climatic and the magnitude of this event glossed over swiftly. The second act however is where the magic begins and we meet Willy Wonka and venture into the Chocolate Factory itself. The use of a giant projection screen really helps us visualise the factory and the interior along with some fantastic props (I won’t spoil it).

The cast are all very strong. Zach Andrews plays Willy Wonka and did so with a good mix of eccentric and genius, giving a strong performance beyond his years, his vocals strong and beautifully delivered. Brandon Westaway plays Charlie with fantastic enthusiasm, again his singing was excellent. Zephan Rowe took on the role of Grandpa Joe who gets out of bed for the first time in years to take Charlie on the trip of a lifetime. Zephan portrayed Grandpa Joe with a huge amount of heart and had the audience rooting for him from the start. I also enjoyed the portrayal of Mrs Bucket, played by Eleanor Foulds. My favourites had to be the Oompa Loompa’s fantastic make up and energy, oh and their poor knees you’ll see what I mean

The rest of the golden ticket winners Eliza Bullock as Veruca Salt frightening , Leo Stubbington as Mike Teevee and Isabella Hamilton as Violet Beaurearde (make sure you don’t miss the bit where she balloons in size) all play their roles with enthusiasm and skill.

The rest of the cast play their parts with such energy and enthusiasm and vocally fantastic you’ll be tired just watching them.

This is a great show professionally staged directed and choreographed with passion by Oliver Rowe and Jemma Tiso-Johnson and full credit must also go to the backstage team led by Matthew Garfield and to musical director and the orchestra led by Ian Stephenson.

Grease – Tudor Musical Comedy Society ⭐️⭐️⭐️⭐️⭐️

Grease – Tudor Musical Comedy Society

Sutton Coldfield Town hall

Monday 22nd September – Dress Rehearsal

By Nigel Gambles

Photography – Studio 55 Photography

We all know Grease we’ve seen the film with Danny, Sandy, T-Birds and Pink Ladies. Tudor MCS are, and will be performing it in style and you will be off to the Town Hall like “Greased Lightning” to watch it.

The show starts at the 25 year reunion for Rydell High, I don’t think I’ve seen this start before and I’ve seen the show more times than I can count. Anyway, this is the original opening with Eugene giving a rousing speech mentioning those who are missing. This segues ways into the T Birds and Pink Ladies singing a version of the Rydell Alma Mater, leading into a very energetic rendition of “Grease is The Word”

Its now flashback time, so off we go to Rydell High where the students are returning after summer break. Danny leader of the T-Birds meets up with the rest of the gang and reminisces about his summer on the beach and the girl he met, played by Elliot Scott-Lolley. He captures the strutting tough guy leader, his vocals are strong and he sings with confidence. Meanwhile Sandy played by Mia Davies is a school newcomer and is introduced to the Pink Ladies and she also tells of her summer romance while being put down by Rizzo, played by Charlotte Raybould. This brings us to the duet “Summer Lovin” Mia plays Sandy with a shy naivety her voice lovely crisp and tuneful.

Looking at the rest of the cast first, the T. Birds Doody, Roger, Kenike and Sonny played by Alex Nash, James Rowney, Dan McCloskey and Alex Tuckwell they absolutely nailed the camaraderie of the gang and had a perfect natural feel. Their singing was strong and energetic their individual songs also strong and effective. Now the Pink Ladies Rizzo, Frenchie, Marty and Jan played by Charlotte Raybould, Emily Loftus, Samantha Rogers and Eloise Tanley. Looking resplendent in their pink jackets were all perfect. Charlotte nailing the cynical strong alpha female, Emily looks the part of Frenchie the wannabe beauty therapist, Samantha perfect for the role of Marty, the worldly-wise member of the ladies with much experience in wine, men and cigarettes. Eloise as Jan plays the uncool member of the ladies who doesn’t stop eating excellently. All these ladies have fantastic voices singing with passion.

The rest of the cast play their roles with and gusto, bringing energy to the dance sequences and power to the group vocals indeed “Hand Jive” is just that and encourages audience participation, so you better brush up on your hand jive.

Juliet Fisher’s direction of the show is excellent and you can see her passion and commitment throughout. The cast also show this in their polished and slick delivery. Connie Mortiboy’s choreography is fantastic and the hours of practice show in the flowing and energetic dance routines. Full credit must also be given to the costumes makeup and backstage crew, also to Going Dark Theatrical Services for their excellent and atmospheric lighting.

Lichfield Operatic Society – Rock of Ages ⭐️⭐️⭐️⭐️⭐️

Rock Of Ages – Lichfield Operatic Society

Lichfield Garrick

Monday 15th September 2025 (Dress Rehearsal)

By : Nigel Gambles

Photography by : Studio 55 Photography

Rock of Ages is ultimately a love story set in the 80’s in LA. Drew (Lewis Collier-Smith) is ‘just a city boy, born and raised in South Detroit‘, hoping to make it big as a rock star. He meets ‘small town girl‘ Sherrie (Shannon Robinson) who also has a dream, she wants to be a famous actress. Like most stories, their tale of falling in love isn’t an easy ride.

The story takes place between two clubs on Sunset Strip. The show was loud, bright and it definitely was rocking!

Lonny (James Pugh) introduced himself and the show, not only was he a ‘barman’ at The Bourbon Bar, he was also the Narrator. He absolutely stole the show for me, he was hilarious, so at ease with the audience, he was OTT which made him more funny, he was loud and loveable. Shannon Robinson is Sherrie, she is perfect with the right amount of naivety for the girl in the big city, and she has the most gorgeous voice. Lewis who plays Drew the bus boy who just doesn’t know how good his voice really is produces a great performance of the shy and quiet and unassuming singer with a strong and powerful voice.

This show is a different kind of musical, it definitely doesn’t take itself seriously. It was fun and naughty, very naughty in parts! It was extremely cheesy, but I love cheese. It was very tongue-in-cheek and has a concert-style feel throughout. Adam Merrall plays Stacee Jaxx and he gives a great performance.

What makes this show fantastic is the cast, all of whom are fantastic. The singing and of course the soundtrack. The cast are all stars, their voices are fantastic.

Director Emma Hall has done an amazing job with the cast, every single member was full of enthusiasm and having the time of their lives. Charlotte Jervis on choreography duty yet again delivers some truly amazing and perfectly synchronised routines. Finally David Easto, musical director and band leader. The band were spot on and their renditions of the 80’s classics perfect.

The part of the show that had everyone standing up and dancing in the aisles is the soundtrack. The massive 80’s hits that the whole musical is set against. Journeys ‘Don’t Stop Believing’ was sung towards the end, bringing the audience up on their feet, clapping and singing along. Other massive hits includes ‘Built This City’, ‘I Want To Know What Love Is’ and ‘The Final Countdown’.

Rock Of Ages is a show I won’t forget and it’s rocking! It was loud, fun, naughty and brilliant!