Six The Musical – Teen Edition : Lichfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Six The Musical – Teen Edition : Lichfield Musical Youth Theatre
The Hub St Marys
Wednesday 2nd July 2025
By : Nigel Gambles
Photography by : LMYT

What a wonderful, colourful show excellently performed by the young company. I have not seen Six before and I thoroughly enjoyed it. The setting in St Marys Hub was absolutely the perfect place for it and the sound and lighting design by Sam Burkinshaw and Stephen Rainsford complemented it perfectly

The six wives filled the stage with their exuberant singing. The stunning costumes designed and made by Sue Broad were perfect showing the different personalities of the wives beautifully

As with all the shows that I’ve seen from Lichfield Musical Youth Theatre, the standard of performance, choreography, acting and overall sheen is of top priority, and this show has all of the above and an added fistful of sass and attitude.

The six wives of Henry VIII are Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Katherine Howard, and Catherine Parr. “Six” tells each of their stories in a very atypical fashion: the wives have all come together as part of a pop girl group, and they each sing a song about who has suffered the most as Henry’s wife. The winner will be the new leader of the group.

Evelyn Maymand plays Catherine of Aragon : The first wife of Henry VIII, was known for her strength and determination. She sings “No Way” and stands her ground despite her divorce. Evelyn was absolutely solid through out and set a high bar for the other queens to follow.

Anne Boleyn: The second wife of Henry VIII infamous for her beheading and she likes to remind you, was portrayed with great wit by Jess Horne. “Don’t Lose Ur Head” is such a well known number and Jess brought all the sass and energy this deserved.

Jane Seymour: The third wife of Henry VIII, often seen as the love of his life, was so beautifully played by Molly Bastable. She depicted the gentle and kind mother who died in childbirth with such emotion. Singing “Heart of Stone”, you would have needed one to not be moved.

Anne of Cleves: Maiya Ogden was the fourth wife of Henry VIII, known for her short-lived marriage to the king. This a difficult part as you need to be pragmatic and somewhat aloof especially when singing “Get Down”. Maiya was more than up to the task and totally nailed it.

Katherine Howard: The fifth wife of Henry VIII, was Beth Winspear. Beth was excellent as she took the audience on the journey of a young and naive girl who meets a tragic end. As she sang “All You Wanna Do” she showcased the desire for love and the unsavoury attention that can bring.

Catherine Parr: The sixth and final wife of Henry VIII was Molly Darby. Catherine was known for her intelligence and influence and Molly carried the characterisation with skill beyond her years. “I Don’t Need Your Love” was amazing.

All SIX girls performed to the highest standard and it was easy to forget you were watching a youth production. You could see clearly that each one had lived the part and were having fun.

Jessica Bennett is the Director and Choreographer and Oliver Rowe Musical Director of SIX and what a show they gave us. Technically as close to perfect as you could get. With spectacular lighting and great use of space, they got the very best from her undoubtably talented singers and dancers.

I would have to say that overall “Six” was a total triumph and a credit to all those involved

If you don’t want to lose your head hurry and get those tickets the show runs until Saturday 5th July with 2 performances each night 6.30pm and 9.00pm

Chop Chop..

https://thehubstmarys.co.uk/events/lmyt-six-teen-edition/

Legally Blonde -Script Youth Musical Theatre Company ⭐️⭐️⭐️⭐️⭐️

Legally Blonde -Script Youth Musical Theatre Company
Highbury Theatre
Monday 30th June 2025
By : Nigel Gambles
Photography by : Studio 55 Photography

As they say OMG where do I start. I attended the dress rehearsal for this show Monday night and I can promise that you are in for an absolute treat. I have seen the show a number of times performed by different theatre groups but I can truthfully say this was one of the best!! The energy and enjoyment just came off the stage in waves.

The show is based on the movie of the same name and follows the star of the show Elle Woods who seems to have it all, but then it all starts to go wrong when her rich boyfriend dumps her in favour of going to Harvard Law School. So determined to win him back she charms her way in to the same university. Whilst there she struggles with all manor of things but eventually with the help of new friends and her dog Bruiser she starts to realise her potential and sets out to prove herself. The story is a triumph over adversity and empowering female friendships.

Peyton Lockley who is making her lead debut plays Elle Woods. She is superb, her vocals are strong and clear and her dancing excellent. Peyton totally embraced the role and will blow you away. She has strong support from her fellow cast members Maddie Howard who plays Paulette the owner of the hair salon and forms a strong bond with Elle. Maddy has a strong stage presence and delivers a commanding performance when teamed up with Elle and  Kyle the UPS man. Daniel George who plays Emmett a charming and sensitive law student who supports Elle, captures the sensitive nature of the character and delivers a great performance.

Full credit must be given to the supporting cast who worked hard and delivered fantastic performances, all of which can be attributed to the great direction of Louise Sall and Tim Rice. The choreography is very good all thanks to the hard work of Amelia. Do not miss this show as the strap line goes ” This musical is so much fun it should be illegal”

Everybody’s Talking About Jamie – SCMYT ⭐️⭐️⭐️⭐️⭐️

Everybody’s Talking About Jamie -Sutton Coldfield Musical Youth Theatre
Sutton Coldfield Town Hall
Monday 23rd June 2025
By : Nigel Gambles
Photography by : Studio 55 Photography

After the success of Footloose last year and previous shows Les Mis and Legally Blonde , SCMYT is definitely the best if not one of the best youth groups in the West Midlands

Their latest show Everybody’s Talking About Jamie, and wow! What an incredible show it is! Bringing this musical sensation to life – including Northern accents, multiple set and costume changes and complex dance numbers – was ambitious. Talented young performers aged just 13 to 18, poured their hearts and souls into a performance that was dynamic, professional, and full of impressive talent. It had heart, humour and heels so high I wouldn’t be able to walk in them, let alone dance!

From the opening scene it was packed with raucous energy and perfectly delivered sass that immediately transported us to a gritty Sheffield comprehensive, where Year 11s contend with the wonderful and frightening possibilities that lie ahead of each of them. Jamie New, an openly gay 16-year-old who dreams of becoming a drag queen was instantly likeable as he and the rest of the cast swept us into his pop-fantastic daydream ‘And You Don’t Even Know It’.

What made this amateur ‘Youth Edition’ so special was the thrill of watching real teenagers bring these teen characters to life. Under Georgia Young’s amazing and expert direction the cast delivered a level of talent that could easily be on the West End Stage. The way she fills the cast with enthusiasm and energy is quite remarkable.

Choreography by Charlotte Jervis assisted by Ethan Bowley, was stunning high energy and superb synchronisation especially in the dance duet. More of that later,

The whole ensemble was brilliantly cast, with every member delivering a believable storyline through genuine and multi-dimensional acting, powerful vocals and sharp choreography.

Toby Foetu-Foster was made to play Jamie he brought the perfect mix of camp charisma and youthful innocence to the role, whilst also capturing Jamie’s wit, cheekiness and vulnerability. His rendition of ‘Wall In My Head’ was captivating, building beautifully into an emotional crescendo that gave me chills!

Meanwhile, Zadie Beschi gave Pritti Jamie’s loyal, studious best friend, a quietly headstrong presence. Her solo ‘Beautiful’ was sung with elegant control, allowing each phrase the space and diction needed to feel both precise and spontaneous. The production honoured the spirit of diversity by respectfully representing the Muslim community, complete with hijabs.

I  have to say I was very moved by Neve Mathews’s portrayal of Jamie’s mum Margaret, especially her song ‘He’s My Boy’. It was heartfelt and mature, with excellent vocal range, and had me reflecting on the bittersweet truth that while we strive to shield our children from pain, life will inevitably hurt them, and yet we thrive on seeing them live authentically.

Another standout came from Jamie Wilson as the school bully who’s harsh lines stung, but showed subtle remorse that added depth to his characterisation.

Oscar Ralley was commanding as Hugo and playful as Loco Chanelle, offering a refreshing contrast between the characters.

The set design was simple but effective. Transitions between classroom, kitchen, bus stop and prom seemed to happen as if by magic, enhanced by effective lighting and seamless costume changes, from school uniforms to dazzling prom gowns. The spotlight reveal of Jamie’s red dress was especially powerful, leaving the audience wanting more.

Dynamic choreography and colourful harmonies elevated the production, from coordinated group numbers to breakout moments allowing individual characters to shine. Particularly memorable was the schoolgirls’ clapping routine in ‘Spotlight’, reminding us of the characters’ young age, while a dance duet between Gracie Drain and Euan Barnby during Margaret’s ‘If I Met Myself Again’ added a poignant, dreamlike quality to the song. The choreography was so beautiful. I especially loved the title number ‘Everybody’s Talking About Jamie’, which kicked off Act II, with its excited, gossipy feel, as multiple characters bounced their individual lines off each other before erupting into an energetic and synchronised dance sequence that had the whole room buzzing!

It’s genuinely hard to believe this was an amateur musical theatre. The level of professionalism, emotional authenticity and pure talent displayed by every single cast member absolutely blew me away. These young performers truly brought a little bit of glitter to the grey.

The Sound Of Music – Sutton Arts Theatre ⭐️ ⭐️ ⭐️ ⭐️ ⭐️

The Sound Of Music – Sutton Arts Theatre.
Sutton Arts Theatre
Thursday 19th June 2025
By : Nigel Gambles
Photography by : Studio 55 Photography

The Sound of Music is a timeless classic, with Julie Andrews playing the iconic Maria in the film. The show follows Maria, a postulant who has trouble conforming to the Abbey life, so she is sent away to be the governess of seven children.

The whole cast worked incredibly as a chorus, with the nuns opening the numbers with what I can only describe as an angelic performance. Although the nuns open the show with saintly songs, we soon meet Maria played by Amy Davies who makes her debut with Sutton Arts. We first meet the character as she sings The Sound of Music entering from the back of the theatre and approaches the stage with projections of hills and mountains on either side giving the effect of walking down the hills. Amy maybe just a wee bit older than the original Maria, but does a splendid job of creating a character that is both gentle and adventurous and has a wonderful singing voice slightly reminiscent of Julie Andrews, but then again how do you describe a character like Maria?

The Von Trapp children are played by  3 teams on the night I went to watch the show. Special mentions to Lois Stokes who plays Brigitta and Ada Hodgson as Gretl, with Liesl being played by Ava Cattell every night of the run. Ava delivers a wonderful performance as the sweet and passionate elder sibling looking for love and becoming a woman.  The children do an incredible job on stage both singing Do-Re-Me and create characters that capture the audiences attention. The father of the Von Trapp family is played by Paul Westwood, who at first is cold and uniformed, but as the play goes on we see him open up and fall in love. Although Paul gives a good performance as Von Trapp I felt that the character was missing some of the standards and precision of a military man. Now although the whole cast sang amazingly, I do have to note a few of the supporting roles. The ability of Liz Berriman who played the Mother Abbess, what a spectacular voice. Patrick Rayson  who plays Herr Zeller and scares you half to death with his excellent portrayal as the new Nazi governor of Austria, Olly Foster as Rolf Liesel’s love interest and budding Nazi, along with Nick Snowdon as Max Detweiler and Laura Hinton as Elsa Schraeder give good solid performances.

If you have ever visited Sutton Arts Theatre you will know the size of the stage and the fact that it has no wings! The set design by Mark Nattrass is nothing short of amazing, the way the sets change is ingenious and all down to the hard work of the backstage crew and cast.

The costumes were just as you could expect from The Sound of Music, nothing looked out of place or wrong.

Special mention to Emily Armstrong the director on the superb job she has done bringing this classic production to life. Sutton Coldfield will certainly be alive with The Sound Of Music

The Ultimate Eagles

The Ultimate Eagles

Sutton Coldfield Town Hall

Thursday 29th May 2025

By : Nigel Gambles

Photography by : Studio 55 Photography

I remember seeing The Eagles way back in 1977 at the then popular concert venue Stafford Bingley Hall (bet thats a blast from the past), it was the Hotel California tour and was amazing for this then 19 year old.

So it was with a touch of apprehension that I went along to a sell out

Sutton Coldfield Town Hall to see this universally recognised most authentic tribute. I have to say I was not disappointed what a show playing all the classics and including my favourite “Last Resort” a wonderful rendition they also included Don Henley’s Boys of Summer and Glenn Frey’s The Heat Is On. This is a fabulous show no gimmicks just pure beautifully performed music.

I think when the band introduced themselves at the start of the show they summed themselves up in a nutshell, they are professional musicians working in studios etc and when they have time they get together for their shared love of their favourite band The Eagles.

Ill say no more if you this type of music then get yourself a ticket and be prepared to be blown away.

Until next year, thank you

 

Sweet & Sour Tribute To Sabrina Carpenter & Olivia Rodrigo

Sweet & Sour Tribute To Sabrina Carpenter & Olivia Rodrigo

Sutton Coldfield Town Hall

Thursday 28th May 2025

By : Lee Williams

Photography by : Lee Williams Photography for WOISC

What an amazing show full of pop anthems and hits from these two rising stars. It featured a powerhouse live band with dynamic dancers. The singers were full of sass and swagger and controlled the stage. Olivia sang her big hits such as Vampire and Drivers Licence and Sabrina sang Nonsense and Please Please Please. The crowd loved every minute of this wonderful show and were out of their seats from the very start. Such great singers, they gave an amazing performance.

All Or Nothing

All or Nothing – The Experience

Sutton Coldfield Town Hall

Thursday 22nd May 2025

By : Lee Williams

Photography by : Lee Williams Photography for WOISC

All Or Nothing – Amazing! You can see why they have enjoyed three sell out tours and a successful West End run within this musical. Writer Carol Harrison and the show’s multi-talented cast, performed the new, All Or Nothing Experience Concert Show, celebrating the music of the iconic mod band Small Faces. Commencing with 1965, it documents the new phenomenon which erupted on the streets of London at the time – it was the essence of all that was cool… It was MOD!

Sharp, funny and streetwise, the show encapsulated all that was Mod. Behind this the storyline was colourful, just as their music, is poignant and bittersweet. The show charted and celebrated the band’s roller coaster journey through their unique and electrifying sound. The hits just kept coming, including What’cha Gonna Do About It, Itchycoo Park, Lazy Sunday, Tin Soldier, All or Nothing and more.

In the second half the band performed a sensational selection of groovy and soulful sixties hits showing off their talents even further. What an amazing night!

Kipps Half A Sixpence – Manor Musical Theatre Co. ⭐️⭐️⭐️⭐️⭐️

Kipps : Half A Sixpence – Manor Musical Theatre Co.

Sutton Coldfield Town Hall

Tuesday 6th May 2025

By : Nigel Gambles

Photography by : Studio 55 Photography

To set the scene I have only ever seen the movie of Half A Sixpence with Tommy Steele and Julia Foster and that was quite a time ago so I had no idea what to expect. What I saw was absolutely brilliant and I loved every minute singing along to the well known numbers all be it to myself as I did not want to clear the building.

“Kipps” is a revised version of the musical Half a Sixpence, with a Book written by Julian Fellowes of Downton Abbey fame. The story follows the misadventures of the hapless Arthur Kipps, a working class lad whose happiness at coming into money is quickly eroded at the hands of a bunch of grasping aristocrats. Will Arthur be true to his new love, the well-to-do Helen, or return to childhood sweetheart Ann who suddenly re-enters his life? The answer to that question probably won’t surprise many, but we certainly had a great time getting there! Roughly one third romance, one third fish out of water tale, and one third social commentary, the show is enlivened by a series of toe-tapping musical numbers that will be familiar to anyone who’s seen the famous Tommy Steele musical.

Arthur Kipps is played by Jamie Wilson. This is his first lead role for Manor but a number of you may remember him from previous productions, The Sound of Music and Anything Goes are just a couple. Jamie brings the down to earth feel of Tommy Steels Kipps to the part along with his excellent dancing and strong singing voice, it is not a role for the faint hearted as Kipps is barely off stage. I dont think it will be long before we see this young man in a major national show.

Ann Pornick, Arthur’s childhood sweetheart is played by Eliza Tall. The chemistry between Jamie and Eliza is perfect and matures really nicely when they meet up again several years later. Eliza’s voice is such a gorgeous instrument, especially highlighted in Ann’s solo, “Long Ago”.

Juliet Fisher plays the other corner of the love triangle, Helen Walsingham. Helen is one of those characters who you do feel a little sorry for because if it were not for her mother, maybe Helen and Arthur might have had a good shot at marriage, because Helen and Arthur really do want just a small house to live and be happy in. Helen is educated, classy and beautiful and glides around a room more than merely walks. Juliet is obviously perfectly cast.

Mrs Walsingham is Helen’s domineering mother, fussy, tiresome, full of self importance and a snob. She is however, played wonderfully by Lynette Coffey.

James Walsingham, Helen’s brother, is a somewhat corrupt financial advisor. He is seemingly the more favoured offspring of Mrs Walsingham and is played by Tom Wells. Tom also doubles as the brilliantly camp photographer in the massively fun scene at Arthur’s wedding where we get to experience “Flash, Bang Wallop”

Well as all the principals sang and danced (and they were all superb), for me the heart and soul of this show was in the performance of the ensemble.  What a delight they were – exuberant, tuneful and extremely well-rehearsed (what must have been hours and hours of effort shone through on stage.) Choreographer Izzie Larkin produced three or four absolute showstoppers, all delivered with real heart and conviction by the entire cast, it was great to see absolutely everyone giving it both barrels, the dancing extending right to the back of the group. I particularly enjoyed the denizens of the pub reprising ‘Money to Burn’ and espousing ‘The Joy of the Theatre’, whilst the ‘Flash Bang Wallop’ finale was a triumph of timing that would not look out of place on a West End stage.

Finally, credit to Musical Director Chris Arnold for expertly marshalling an eleven-piece Orchestra, and to Directors Pam & James Garrington, who kept the action flowing very effectively.

Lichfield Operatic Society – Any Goes ⭐️⭐️⭐️⭐️⭐️

Anything Goes – Lichfield Operatic Society

Lichfield Garrick

Tuesday 8th April 2025

By : Nigel Gambles

Photography by : Studio 55 Photography

Lichfield Operatic Society have done themselves proud. Anything Goes, this year’s production of choice, is a superb showcase of rich talent and enduring passion. Overseen by the Director Patrick Jervis, the production is confident, powerful and brimming with enthusiasm and joy.

It is also packed classics: I Get a Kick Out of You; You’re the Top; It’s De-Lovely.

Set on an ocean liner the SS American, bound from New York to London, Anything Goes follows the madcap antics of those on board. Central is Billy Crocker, a charming young stowaway who has fallen in love with wealthy heiress Hope Harcourt (played by Ellie Johnstone), who is already engaged to an English aristocrat Lord Evelyn Oakleigh (played by Connor Brooks). Billy is played masterfully by Adam Gregory, while Charlotte Jervis effortlessly embodies Reno Sweeney, a nightclub singer who assists Billy in his bid to win Hope’s heart.

Ellie Johnstone provides an outstanding portrayal of Hope. Her acting is sensitive, congenial and expressive, providing her scenes with sophistication and warmth. Adam Gregorys’s rendition of Billy is rich with boyish charm and a strong sense of fun. His chemistry when on stage with Ellie or Charlotte is nothing short of magical. I will say now that all three of them could have been on a stage in the West End their performances so polished and realistic.

Ben Green is public enemy number 13 – Moonface Martin. He  shows off his comic side and gives an easygoing, shoulder-rolling, soft-shoe-shuffling performance as low-league criminal Moonface Martin that reminds you what a pro he is. His duet with Charlotte Jervis on the song Friendship is a playful delight

Shannon Robinson is the sultry gangsters moll Erma Latour, who is having a ball playing the ships sailors off against one another for her hand in marriage, while also warning them that she is not easily pleased. Shannon is superb, her accent and sassy brashness just hitting the mark perfectly.

Also strong is Chris Stanley, playing the Ship’s Captain his performance is very assured. Theo Fryer, plays the Ship’s Purser, offering a comedic and charismatic performance. Don’t miss them at the start of the show before the curtains raised

The best songs and the biggest moments belong to Charlotte Jervis as Reno and she knocks them out the park her voice is amazing.

While the acting quality is compelling across the whole cast, this is a musical, and the musical facet of this production is exquisite thanks to musical director David Easto. The orchestra lays on melodious accompaniment throughout, which makes the actors’ and actresses’ performances shine all the more. Sound and lighting move in tandem with the onrushing of the plot, guiding the production from each set-piece scene to the next. The setting of an ocean liner is great in its design, owing to the diligent work of stage manager Martin Garfield and his back stage team

Perhaps most striking in this production is the use of dance, choreographed skilfully by Zoe Heathcote and Jody Edmunds. The hours of practice that have gone into some of the routines must have been huge and the quality, professionalism and passion shines through to the point where you will be exhausted just watching. The enthusiasm and enjoyment each cast member demonstrates is truly stirring, and you have to admire the whole company’s dedication. Each radiant scene glides into the next, moving with water’s easy tread and supple fluidity. The dancing scenes are elegant and subtle, yet profound – they are in their execution quite simply excellent.

Evita – Lichfield Musical Theatre ⭐️⭐️⭐️⭐️⭐️

Evita – Lichfield Musical Youth Theatre

Lichfield Garrick

Tuesday 1st April 2025

By : Nigel Gambles

Photography by : Lichfield Musical Youth Theatre

This was two hours of breathtaking pleasure that once again reminds you of the number of incredibly talented young people we have in the area who dedicate their time and energy to create spectacles like this

This ambitious new production of Andrew Lloyd Webber and Tim Rice’s Evita which charts the rise to power of Eva Duarte from the dusty streets of Argentina to first lady of Prime Minister Juan Perón in the mid 1900’s. This is one of my favourite Lloyd Webber/Rice shows with some iconic numbers.

The casting of all the main characters was superb and each and every member of the sizeable chorus provided the perfect backdrop to what is a triumphant but ultimately sad story about the very short life of a woman who is still held to almost sainted regard in Argentina.

The audience is told the end of the story before the action is taken back to the streets of Argentina and a younger Eva Duarte who is from an impoverished background but has very lofty ambitions that this will not be her lot in life as she has eyes on stardom and ultimately power.  Her journey begins with a dalliance with tango cabaret singer Augustin Magaldi (James Williams) his rendition of “On This Night Of a Thousand Stars” is energetic and enthusiastic. This short affair leads her to the bright lights of Buenos Aires where she goes through several men before marrying Juan Perón (Zach Andrews) and becoming the most powerful lady in the land. All the while, and ostensibly as an onlooker, uber left wing political activist and general trouble maker to the powers that be Che Guevara (Zephan Rowe) is looking on critically as the aspirational social climber is using all her wiles to get to where she wants to be. His duet “High Flying Adored” with Eva is beautiful

The role of Evita is played with sublime elegance by Hannah Roche she makes it all look so effortless. She embodies Eva Perón completely – the passion, the emotion, the determination to reach the top, and the ever-growing anxiety about the impending end. When she sang “Don’t Cry For Me Argentina” the anthemic centrepiece of the show left us delighted and simultaneously heartbroken.

The principal cast are supported ably and with such professionalism by an ensemble who help paint the picture and set the scene. The choreography by Jessica Bennett is exquisite, especially in the blending of the movement of dance and marching during ‘And The Money Kept Rolling In’. The company are placed so stylishly upon the stage in each moment with the effect that every scene is a feast for the eyes and ears. It is almost exhausting to watch them.

As for the costumes. I tried to count the number of costume changes but gave up. Top marks to the team behind the planning of those outfits and managing the fast changes off-stage.

And so to my star of the show and it is a difficult one with so many stellar performances this evening, but it goes to a young lady who is found on stage in a scene where she is unceremoniously chucked out by the ever advancing Eva. In the programme she is called ‘The Mistress’ which I think is a little harsh as she was there first. But my star of the show goes to Charlotte Grubb who sang ‘Another Suitcase in Another Hall’ with effortless emotion and very nearly had me crying.

If you like musicals then get yourselves along to this show at The Garrick Theatre Lichfield from Tuesday 1st April – Saturday 5th April with a matinee on the Saturday

https://www.lichfieldgarrick.com/events/evita-lmyt#dates-and-times

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