Everybody’s Talking About Jamie – SCMYT ⭐️⭐️⭐️⭐️⭐️

Everybody’s Talking About Jamie -Sutton Coldfield Musical Youth Theatre
Sutton Coldfield Town Hall
Monday 23rd June 2025
By : Nigel Gambles
Photography by : Studio 55 Photography

After the success of Footloose last year and previous shows Les Mis and Legally Blonde , SCMYT is definitely the best if not one of the best youth groups in the West Midlands

Their latest show Everybody’s Talking About Jamie, and wow! What an incredible show it is! Bringing this musical sensation to life – including Northern accents, multiple set and costume changes and complex dance numbers – was ambitious. Talented young performers aged just 13 to 18, poured their hearts and souls into a performance that was dynamic, professional, and full of impressive talent. It had heart, humour and heels so high I wouldn’t be able to walk in them, let alone dance!

From the opening scene it was packed with raucous energy and perfectly delivered sass that immediately transported us to a gritty Sheffield comprehensive, where Year 11s contend with the wonderful and frightening possibilities that lie ahead of each of them. Jamie New, an openly gay 16-year-old who dreams of becoming a drag queen was instantly likeable as he and the rest of the cast swept us into his pop-fantastic daydream ‘And You Don’t Even Know It’.

What made this amateur ‘Youth Edition’ so special was the thrill of watching real teenagers bring these teen characters to life. Under Georgia Young’s amazing and expert direction the cast delivered a level of talent that could easily be on the West End Stage. The way she fills the cast with enthusiasm and energy is quite remarkable.

Choreography by Charlotte Jervis assisted by Ethan Bowley, was stunning high energy and superb synchronisation especially in the dance duet. More of that later,

The whole ensemble was brilliantly cast, with every member delivering a believable storyline through genuine and multi-dimensional acting, powerful vocals and sharp choreography.

Toby Foetu-Foster was made to play Jamie he brought the perfect mix of camp charisma and youthful innocence to the role, whilst also capturing Jamie’s wit, cheekiness and vulnerability. His rendition of ‘Wall In My Head’ was captivating, building beautifully into an emotional crescendo that gave me chills!

Meanwhile, Zadie Beschi gave Pritti Jamie’s loyal, studious best friend, a quietly headstrong presence. Her solo ‘Beautiful’ was sung with elegant control, allowing each phrase the space and diction needed to feel both precise and spontaneous. The production honoured the spirit of diversity by respectfully representing the Muslim community, complete with hijabs.

I  have to say I was very moved by Neve Mathews’s portrayal of Jamie’s mum Margaret, especially her song ‘He’s My Boy’. It was heartfelt and mature, with excellent vocal range, and had me reflecting on the bittersweet truth that while we strive to shield our children from pain, life will inevitably hurt them, and yet we thrive on seeing them live authentically.

Another standout came from Jamie Wilson as the school bully who’s harsh lines stung, but showed subtle remorse that added depth to his characterisation.

Oscar Ralley was commanding as Hugo and playful as Loco Chanelle, offering a refreshing contrast between the characters.

The set design was simple but effective. Transitions between classroom, kitchen, bus stop and prom seemed to happen as if by magic, enhanced by effective lighting and seamless costume changes, from school uniforms to dazzling prom gowns. The spotlight reveal of Jamie’s red dress was especially powerful, leaving the audience wanting more.

Dynamic choreography and colourful harmonies elevated the production, from coordinated group numbers to breakout moments allowing individual characters to shine. Particularly memorable was the schoolgirls’ clapping routine in ‘Spotlight’, reminding us of the characters’ young age, while a dance duet between Gracie Drain and Euan Barnby during Margaret’s ‘If I Met Myself Again’ added a poignant, dreamlike quality to the song. The choreography was so beautiful. I especially loved the title number ‘Everybody’s Talking About Jamie’, which kicked off Act II, with its excited, gossipy feel, as multiple characters bounced their individual lines off each other before erupting into an energetic and synchronised dance sequence that had the whole room buzzing!

It’s genuinely hard to believe this was an amateur musical theatre. The level of professionalism, emotional authenticity and pure talent displayed by every single cast member absolutely blew me away. These young performers truly brought a little bit of glitter to the grey.

Les Miserables – Sutton Coldfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Les Miserables (School Edition) – Sutton Coldfield Musical Youth Theatre
Sutton Coldfield Town Hall
Monday 19th February 2024 – Dress Rehearsal
By Nigel Gambles
Photography – Studio 55 Photography

After their acclaimed and highly successful production of “Legally Blonde” Sutton Coldfield Musical Youth Theatre are back, and are taking on the epic Les Miserables following approximately seven months of rehearsals they had their opening night on Tuesday 20th February

This hard-working and enthusiastic youth company guided by director Georgia Young and her team seamlessly created the various groups of nineteenth-century French folk that ex-con Jean Valjean encounters on his harrowing journey in an unjust world. As convicts they shuffled around, shoulders slumped forward. This made for a stark contrast to the commanding, upright posture of the guards. As fighting factory workers, they whole-heartedly embodied the hand-to-mouth existence of the poor. As bedraggled prostitutes; spirited students; inebriated inn drinkers and other disparate characters the ensemble took every dramatic moment in their stride, displaying the vigour and versatility that Les Mis demands.

It was a real pleasure to hear these people sing! The whole Company pulled together to belt out the rousing group numbers and there were some stunning solos from the many main players too. Les Misérables is known and loved for its pounding anthems and stirring reflective lyrics so it was a real treat for the (very appreciative) audience that each and every song from the unforgettable score was well performed.

Ethan Bowleys’ portrayal of Jean Valjean’s fight for salvation was passionate and pitch-perfect. Relentlessly pursued by the police inspector Javert played by Ethyn James, Jean Valjean is a complicated character who is constantly evolving. Introduced to us as a jaded criminal, he becomes an industrialist; a hero; a father; a soldier. Unlike other characters who age during the course of the narrative, Jean Valjean is played by the same actor throughout. Fittingly, Ethan’s powerful performance matured accordingly – and convincingly.

Anamae Parkes was a terrifically tragic Fantine. Her haunting rendition of ‘I Dreamed A Dream’ was beautiful. Every note communicated the sorrow, despair and humiliation Fantine experiences as a troubled, down-trodden grisette.*

All the misery was wonderfully countered by the atrocious antics of Oscar Ralley and Ella Clarke as the corrupt innkeeper Thénardier and his wife, Madame Thénardier. Superb comic timing and synchronicity ensured this pair were despicably delightful as the malevolent and provocative chancers.

Becky Hanratty as Eponine had a voice straight off a cast recording. Toby Foetu-Foster had wonderful excitement and passion as Marius. His onstage ladylove, Cosette, played by Neve Matthews, had a voice as sweet and as clear.

Finally this review would not be complete without highlighting the passion, enthusiasm and total commitment of director Georgia Young, choreographer Esme Wade and Musical director Emily Beaman whose creative brilliance brought the show to life.

Full credit must also be given to all the back of house team who worked tirelessly to ensure the stage was always set.

* French working class girls

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