Category: Family

Legally Blonde -Script Youth Musical Theatre Company ⭐⭐⭐⭐⭐

Legally Blonde -Script Youth Musical Theatre Company
Highbury Theatre
Monday 30th June 2025
By : Nigel Gambles
Photography by : Studio 55 Photography

As they say OMG where do I start. I attended the dress rehearsal for this show Monday night and I can promise that you are in for an absolute treat. I have seen the show a number of times performed by different theatre groups but I can truthfully say this was one of the best!! The energy and enjoyment just came off the stage in waves.

The show is based on the movie of the same name and follows the star of the show Elle Woods who seems to have it all, but then it all starts to go wrong when her rich boyfriend dumps her in favour of going to Harvard Law School. So determined to win him back she charms her way in to the same university. Whilst there she struggles with all manor of things but eventually with the help of new friends and her dog Bruiser she starts to realise her potential and sets out to prove herself. The story is a triumph over adversity and empowering female friendships.

Peyton Lockley who is making her lead debut plays Elle Woods. She is superb, her vocals are strong and clear and her dancing excellent. Peyton totally embraced the role and will blow you away. She has strong support from her fellow cast members Maddie Howard who plays Paulette the owner of the hair salon and forms a strong bond with Elle. Maddy has a strong stage presence and delivers a commanding performance when teamed up with Elle and  Kyle the UPS man. Daniel George who plays Emmett a charming and sensitive law student who supports Elle, captures the sensitive nature of the character and delivers a great performance.

Full credit must be given to the supporting cast who worked hard and delivered fantastic performances, all of which can be attributed to the great direction of Louise Sall and Tim Rice. The choreography is very good all thanks to the hard work of Amelia. Do not miss this show as the strap line goes ” This musical is so much fun it should be illegal”

The Sound Of Music – Sutton Arts Theatre ⭐ ⭐ ⭐ ⭐ ⭐

The Sound Of Music – Sutton Arts Theatre.
Sutton Arts Theatre
Thursday 19th June 2025
By : Nigel Gambles
Photography by : Studio 55 Photography

The Sound of Music is a timeless classic, with Julie Andrews playing the iconic Maria in the film. The show follows Maria, a postulant who has trouble conforming to the Abbey life, so she is sent away to be the governess of seven children.

The whole cast worked incredibly as a chorus, with the nuns opening the numbers with what I can only describe as an angelic performance. Although the nuns open the show with saintly songs, we soon meet Maria played by Amy Davies who makes her debut with Sutton Arts. We first meet the character as she sings The Sound of Music entering from the back of the theatre and approaches the stage with projections of hills and mountains on either side giving the effect of walking down the hills. Amy maybe just a wee bit older than the original Maria, but does a splendid job of creating a character that is both gentle and adventurous and has a wonderful singing voice slightly reminiscent of Julie Andrews, but then again how do you describe a character like Maria?

The Von Trapp children are played by  3 teams on the night I went to watch the show. Special mentions to Lois Stokes who plays Brigitta and Ada Hodgson as Gretl, with Liesl being played by Ava Cattell every night of the run. Ava delivers a wonderful performance as the sweet and passionate elder sibling looking for love and becoming a woman.  The children do an incredible job on stage both singing Do-Re-Me and create characters that capture the audiences attention. The father of the Von Trapp family is played by Paul Westwood, who at first is cold and uniformed, but as the play goes on we see him open up and fall in love. Although Paul gives a good performance as Von Trapp I felt that the character was missing some of the standards and precision of a military man. Now although the whole cast sang amazingly, I do have to note a few of the supporting roles. The ability of Liz Berriman who played the Mother Abbess, what a spectacular voice. Patrick Rayson  who plays Herr Zeller and scares you half to death with his excellent portrayal as the new Nazi governor of Austria, Olly Foster as Rolf Liesel’s love interest and budding Nazi, along with Nick Snowdon as Max Detweiler and Laura Hinton as Elsa Schraeder give good solid performances.

If you have ever visited Sutton Arts Theatre you will know the size of the stage and the fact that it has no wings! The set design by Mark Nattrass is nothing short of amazing, the way the sets change is ingenious and all down to the hard work of the backstage crew and cast.

The costumes were just as you could expect from The Sound of Music, nothing looked out of place or wrong.

Special mention to Emily Armstrong the director on the superb job she has done bringing this classic production to life. Sutton Coldfield will certainly be alive with The Sound Of Music

Guys & Dolls – Trinity Players ⭐⭐⭐⭐⭐

This a  hugely fun and energetic production of the Broadway classic which showcases the incredible talent that exists in Trinity Players and is a perfect choice for their 50th anniversary as a society . Just the kind of tonic we all need!

As popular as it may be, it is a challenging piece to stage; multiple scenes, lengthy dance sequences, an abundance of songs, all add to a long list of hills to climb. Trinity Players production confronts these matters head on and delivers a hugely enjoyable, wonderfully performed show which illustrates the enormous pool of talent that exists in the group

Throughout, the standard of singing, dancing and acting is hugely impressive. The dance sequences are carried off successfully through skilful choreography from Celine Kirton. She has pushed the performers, but never beyond their capabilities, resulting in vibrant production numbers which really work. Bearing in mind that there is no huge budget available, the sets work well and the transitions from one to another are generally seamless. There are more than a few costumes required with this cast of thirty plus, and they are perfect adding lots of colour and style

The central four characters grabbed their roles with both hands and immersed themselves into their characters with great effect. Matt Hunt’s Nathan Detroit has a wonderful level of lovable incompetence and bluster – I couldn’t help thinking of Oliver Hardy. He is matched perfectly by Bexs Perry who gives Adelaide a beautifully touching vulnerability, but with a steely determination. Their love for each other is unmistakable. Sasha Barnes is a feisty Sarah Brown with a fabulous voice and her resistance/submission to the charms of Sky are completely believable. As Masterson, Dan Barnes is outstanding – cool, calm, collected and in control until he falls for Sarah. His singing voice is wonderful and he exudes a likeable confidence.

Paul Wescott has huge fun as Nicely-Nicely and his rendition of the iconic ‘Sit Down, You’re Rockin’ the Boat’ doesn’t disappoint and will surely have everybody clapping along. Rick Jones adds a splendidly antagonistic (and frustrated) Lieutenant Brannigan and there is a delightfully performance from Di Mannion as Arvide, whose plays s one of the older missionaries.

Throughout, the Hotbox Girls, Mission Band and the Crap Shooters give great energy to every minute of the show and serve the score and lyrics of Frank Loesser really well.

There is a good sized band, and they bang out the wonderful score with great enthusiasum under the excellent direction of Peter Bushby. With an ensemble of that size you need a good sound engineer who knows exactly how to balance vocals and instruments – it’s brilliant work.

As mentioned, Guys and Dolls is not straightforward or easy to stage, very far from it, but Director Richard McNally-Reilly and Producer Lewis Wescott have pulled it off in this happy, lively and splendidly performed production by a wonderfully talented team. It is a hugely uplifting tonic which is something we could all do with at this time

Sweet & Sour Tribute To Sabrina Carpenter & Olivia Rodrigo

Sweet & Sour Tribute To Sabrina Carpenter & Olivia Rodrigo

Sutton Coldfield Town Hall

Thursday 28th May 2025

By : Lee Williams

Photography by : Lee Williams Photography for WOISC

What an amazing show full of pop anthems and hits from these two rising stars. It featured a powerhouse live band with dynamic dancers. The singers were full of sass and swagger and controlled the stage. Olivia sang her big hits such as Vampire and Drivers Licence and Sabrina sang Nonsense and Please Please Please. The crowd loved every minute of this wonderful show and were out of their seats from the very start. Such great singers, they gave an amazing performance.

Kipps Half A Sixpence – Manor Musical Theatre Co. ⭐⭐⭐⭐⭐

Kipps : Half A Sixpence – Manor Musical Theatre Co.

Sutton Coldfield Town Hall

Tuesday 6th May 2025

By : Nigel Gambles

Photography by : Studio 55 Photography

To set the scene I have only ever seen the movie of Half A Sixpence with Tommy Steele and Julia Foster and that was quite a time ago so I had no idea what to expect. What I saw was absolutely brilliant and I loved every minute singing along to the well known numbers all be it to myself as I did not want to clear the building.

“Kipps” is a revised version of the musical Half a Sixpence, with a Book written by Julian Fellowes of Downton Abbey fame. The story follows the misadventures of the hapless Arthur Kipps, a working class lad whose happiness at coming into money is quickly eroded at the hands of a bunch of grasping aristocrats. Will Arthur be true to his new love, the well-to-do Helen, or return to childhood sweetheart Ann who suddenly re-enters his life? The answer to that question probably won’t surprise many, but we certainly had a great time getting there! Roughly one third romance, one third fish out of water tale, and one third social commentary, the show is enlivened by a series of toe-tapping musical numbers that will be familiar to anyone who’s seen the famous Tommy Steele musical.

Arthur Kipps is played by Jamie Wilson. This is his first lead role for Manor but a number of you may remember him from previous productions, The Sound of Music and Anything Goes are just a couple. Jamie brings the down to earth feel of Tommy Steels Kipps to the part along with his excellent dancing and strong singing voice, it is not a role for the faint hearted as Kipps is barely off stage. I dont think it will be long before we see this young man in a major national show.

Ann Pornick, Arthur’s childhood sweetheart is played by Eliza Tall. The chemistry between Jamie and Eliza is perfect and matures really nicely when they meet up again several years later. Eliza’s voice is such a gorgeous instrument, especially highlighted in Ann’s solo, “Long Ago”.

Juliet Fisher plays the other corner of the love triangle, Helen Walsingham. Helen is one of those characters who you do feel a little sorry for because if it were not for her mother, maybe Helen and Arthur might have had a good shot at marriage, because Helen and Arthur really do want just a small house to live and be happy in. Helen is educated, classy and beautiful and glides around a room more than merely walks. Juliet is obviously perfectly cast.

Mrs Walsingham is Helen’s domineering mother, fussy, tiresome, full of self importance and a snob. She is however, played wonderfully by Lynette Coffey.

James Walsingham, Helen’s brother, is a somewhat corrupt financial advisor. He is seemingly the more favoured offspring of Mrs Walsingham and is played by Tom Wells. Tom also doubles as the brilliantly camp photographer in the massively fun scene at Arthur’s wedding where we get to experience “Flash, Bang Wallop”

Well as all the principals sang and danced (and they were all superb), for me the heart and soul of this show was in the performance of the ensemble.  What a delight they were – exuberant, tuneful and extremely well-rehearsed (what must have been hours and hours of effort shone through on stage.) Choreographer Izzie Larkin produced three or four absolute showstoppers, all delivered with real heart and conviction by the entire cast, it was great to see absolutely everyone giving it both barrels, the dancing extending right to the back of the group. I particularly enjoyed the denizens of the pub reprising ‘Money to Burn’ and espousing ‘The Joy of the Theatre’, whilst the ‘Flash Bang Wallop’ finale was a triumph of timing that would not look out of place on a West End stage.

Finally, credit to Musical Director Chris Arnold for expertly marshalling an eleven-piece Orchestra, and to Directors Pam & James Garrington, who kept the action flowing very effectively.

Sutton Coldfield Heritage – Royal Variety Show

Sutton Coldfield Heritage – Royal Variety Show
Bishop Vesey Grammar School
Saturday 5th April 2025
By : Sutton Coldfield Heritage Network
Photos : Sutton Coldfield Heritage Network
With grateful thanks from Sutton Coldfield Heritage Network to Sutton Coldfield Charitable Trust for funding, the whole event went extremely well and audience and exhibitor / performer feedback was fantastic. Grea atmosphere, high quality performances, amazing variety, small but interesting creative and literary arts’ exhibition, and ‘a great night out’.
The Town’s Mayor said a couple of times he ‘hadn’t expected it to be as good as this!’ and the Mayoress said ‘fabulous’ quite a few times but particularly about the Queen medley finale played by Central England Concert Band with all performers and exhibitors on the stage happily waving and swaying!
The small but packing-a-punch exhibition showcased the excellent work of local artists including Misccreate Art School, Bold Writers literary arts, Maggie Taylor artist, Sutton Coldfield Local History Research Group, and Sutton Coldfield Heritage Network.
Following this diverse display of local visual and literary arts, King Henry VIII’s own composition ‘Pastime in Good Company’ played by the skilful Central England Concert Band, narrated by The Lady of the Manor, Lauren Jones, and supported by Henry VIII and Bishop Vesey in the flesh (incredible!) opened the concert in medieval style. Henry’s Choir continued the 1500s theme with Arabesque Silver Swans Chitty Chitty Bang Bang ballet moving the audience forward through time bringing Truly Scrumptious to life in Sutton Coldfield. Preserving young people’s opportunities to play great film music, the New Streetly Youth Orchestra started the second half with a variety of John Williams’ epic film themes, and continuing the youth theme, Sing ‘N Tonic Choir took us through almost every Disney film tune you could think of. The very first performance of Lads, Dads & Granddads Pop-Up Male Voice Choir got off the ground with Baba Yetu sung in Swahili (well done, chaps) and the audience fully understood why Premier Dance Company are World Champions given the quality of contemporary dance on display. Central England Concert Band, in its first major Sutton Coldfield concert and under the direction of local resident Martin Sleaford, threw in a James Bond medley along the way and led the Queen finale given both Roger Moore and Roger Taylor’s residential and business ties to the Town.
Along with increasing the numbers of stage hands for next year’s event to minimise delays, a call for 2026 performers and exhibitors will be out during next month.
Photos: 
The dignitaries photo – left to right: Stella Thebridge MBE, Event Director; Lauren Jones, The Lady of the Manor creative narrator; Colin Ingley, King Henry VIII; Councillor John Perks, the Mayor of the Royal Town of Sutton Coldfield; Mrs Sarah Perks, the Mayoress of the Royal Town of Sutton Coldfield; Chris Kettel, Bishop Vesey; Martin Sleaford, Event Artistic Director
The Silver Swans letter from Queen Camilla, herself a Silver Swan ballet dancer, reluctantly declining an invite to watch Arabesque Swans’ performance on Saturday night. Lleft-to-right: Donna, Arabesque School of Dance Silver Swan; Councillor John Perks, the Mayor of the Royal Town of Sutton Coldfield; Mrs Sarah Perks, the Mayoress of the Royal Town of Sutton Coldfield;
The auditorium set out for concert at Bishop Vesey Grammar School

Lichfield Operatic Society – Any Goes ⭐⭐⭐⭐⭐

Anything Goes – Lichfield Operatic Society

Lichfield Garrick

Tuesday 8th April 2025

By : Nigel Gambles

Photography by : Studio 55 Photography

Lichfield Operatic Society have done themselves proud. Anything Goes, this year’s production of choice, is a superb showcase of rich talent and enduring passion. Overseen by the Director Patrick Jervis, the production is confident, powerful and brimming with enthusiasm and joy.

It is also packed classics: I Get a Kick Out of You; You’re the Top; It’s De-Lovely.

Set on an ocean liner the SS American, bound from New York to London, Anything Goes follows the madcap antics of those on board. Central is Billy Crocker, a charming young stowaway who has fallen in love with wealthy heiress Hope Harcourt (played by Ellie Johnstone), who is already engaged to an English aristocrat Lord Evelyn Oakleigh (played by Connor Brooks). Billy is played masterfully by Adam Gregory, while Charlotte Jervis effortlessly embodies Reno Sweeney, a nightclub singer who assists Billy in his bid to win Hope’s heart.

Ellie Johnstone provides an outstanding portrayal of Hope. Her acting is sensitive, congenial and expressive, providing her scenes with sophistication and warmth. Adam Gregorys’s rendition of Billy is rich with boyish charm and a strong sense of fun. His chemistry when on stage with Ellie or Charlotte is nothing short of magical. I will say now that all three of them could have been on a stage in the West End their performances so polished and realistic.

Ben Green is public enemy number 13 – Moonface Martin. He  shows off his comic side and gives an easygoing, shoulder-rolling, soft-shoe-shuffling performance as low-league criminal Moonface Martin that reminds you what a pro he is. His duet with Charlotte Jervis on the song Friendship is a playful delight

Shannon Robinson is the sultry gangsters moll Erma Latour, who is having a ball playing the ships sailors off against one another for her hand in marriage, while also warning them that she is not easily pleased. Shannon is superb, her accent and sassy brashness just hitting the mark perfectly.

Also strong is Chris Stanley, playing the Ship’s Captain his performance is very assured. Theo Fryer, plays the Ship’s Purser, offering a comedic and charismatic performance. Don’t miss them at the start of the show before the curtains raised

The best songs and the biggest moments belong to Charlotte Jervis as Reno and she knocks them out the park her voice is amazing.

While the acting quality is compelling across the whole cast, this is a musical, and the musical facet of this production is exquisite thanks to musical director David Easto. The orchestra lays on melodious accompaniment throughout, which makes the actors’ and actresses’ performances shine all the more. Sound and lighting move in tandem with the onrushing of the plot, guiding the production from each set-piece scene to the next. The setting of an ocean liner is great in its design, owing to the diligent work of stage manager Martin Garfield and his back stage team

Perhaps most striking in this production is the use of dance, choreographed skilfully by Zoe Heathcote and Jody Edmunds. The hours of practice that have gone into some of the routines must have been huge and the quality, professionalism and passion shines through to the point where you will be exhausted just watching. The enthusiasm and enjoyment each cast member demonstrates is truly stirring, and you have to admire the whole company’s dedication. Each radiant scene glides into the next, moving with water’s easy tread and supple fluidity. The dancing scenes are elegant and subtle, yet profound – they are in their execution quite simply excellent.

Tom’s Midnight Garden – Sutton Arts Theatre ⭐⭐⭐⭐⭐

Tom’s Midnight Garden
Sutton Arts Theatre
26th March 2025
By Nigel Gambles

We missed seeing this production last week due to family commitments, but Im so glad we managed to get there this week.

I remember reading the book way back when I was a youngster and loved it, the thought of time travel absolutely appealing.

Tom’s Midnight Garden tells the tale of young Tom who, in the 1950s, has been sent to live with his aunt and uncle while his brother recovers from the measles. Through his letters to his brother, Tom begins to tell him about the mysterious garden that he discovers at night time and the children he meets there. At first it appears that the children in the garden can’t see Tom, that is, apart from Hetty, with the two soon becoming friends.

Finley Rowland is particularly engaging as Tom, inquisitive and adventurous in the new world he discovers, and full of childlike intrigue into the ways of time. Similarly, Gracie Reynolds shows admirable skill and depth in her portrayal of Hatty, at times happy in Tom’s company while at others bullied by her boisterous cousins and challenged by Abel the God-fearing gardener.

Throughout the performance a number of players act as the “voices of the house” which lends an eerie feeling to proceedings – a nice touch for a story with ghostly overtones. Equally, the narrative of letters between Tom and his brother Peter helps to set the scene and give more depth to the action on stage. The set is very clever, constantly changing from bedroom to living room and the fantastic garden

This truly is a terrific production capturing the magic of childhood, imagination and connections between generations.

Director Louise Farmer has done an amazing job directing an enthusiastic cast who totally deliver.

Full credit must be given to the stage hands who must have worked as hard as the cast with all the scenery moves.

I would also like to personally congratulate Evie Rice, who I know from her time with Script Youth Musical Theatre, on her debut in a non musical show well done Evie.

 

Pictures courtesy of Sutton Arts Theatre and Olly Foster

Charlie & The Chocolate Factory – Tudor Musical Comedy Society ⭐⭐⭐⭐⭐

Charlie & The Chocolate Factory – Tudor Musical Comedy Society

Royal Sutton Coldfield Town Hall

Monday 10th March 2025

By : Nigel Gambles

Photography by : Studio 55 Photography

Charlie and The Chocolate Factory The Musical opened on the West End in 2013 where it ran for 3.5 years but it took another 10 years for the show to tour the UK. The show is based on the Roald Dahl book which tells of Charlie Bucket who spends their day dreaming of chocolate. When Willy Wonka announces a chance for 5 children to win a tour around the famous chocolate factory, it sends the world into a frenzy but with Charlie’s family struggling to afford just one chocolate bar it looks unlikely that they would win, let alone the chance to win the biggest prize of them all.

The show is one of two halves. Act 1 focuses on the hunt for the winning tickets, Charlie’s daily struggles and with each child that wins they get a song that introduces their character. After the second or third winner this begins to feel a bit formulaic in nature and the pace feels slow with the audience wanting to get to the chocolate factory itself. Charlie finding the ticket also seemed anti-climatic and the magnitude of this event glossed over swiftly. The second act however is where the magic begins and we meet Willy Wonka and venture into the Chocolate Factory itself. The use of a giant projection screen really helps us visualise the factory and the interior.

My only criticism is the lack of memorable songs only Candyman and Pure Imagination make from the film

The cast are all very strong. In the performance I saw Charlie was played by Ellie Howard in the first half and Jack Brayley-Boddington in the second. Ellie is an accomplished performer and acts with confidence beyond her years. Elliot Scott-Lolly plays Willy Wonka and did so with a good mix of eccentric and genius, unfortunately he did not cut it for me, maybe due to his eight year break from musicals. Everyones favourite Mark Skett took on the role of Grandpa Joe who gets out of bed for the first time in years to take Charlie on the trip of a lifetime. Mark portrayed Grandpa Joe with a huge amount of heart and had the audience rooting for him from the start. I also enjoyed the portrayal of Mrs Bucket, played by Paula O’Hare (who played Calamity Jane last year) My favourite had to be Alex Nash who plays Augustus Gloop brilliantly and with a wonderfully comic German accent.

The rest of the golden ticket winners Bethany Davis as Veruca Salt, Dan McColoskey as Mike Teevee and Samantha Rogers as Violet Beaurearde (make sure you don’t miss the bit where she balloons in size) all play their roles with enthusiasm and skill. Oh and keep a lookout for Alex Tuckwell as the giant squirrel Jeremy.

This is a great show professionally staged directed and choreographed with passion by Juliet Fisher and Connie Mortiboy and full credit must also go to the backstage team led by Hellie England  and to musical director and the orchestra led by Andrew Timmins. Lighting by Going Dark Theatrical Services

Anyone who has tickets for this show is in for a real treat it is wonderful.

Annie – Sutton Coldfield Musical Theatre Company ⭐⭐⭐⭐⭐

Annie – Sutton Coldfield Musical Theatre Company

Lichfield Garrick

Monday 24th March 2025

By : Nigel Gambles

Photography by : Studio 55 Photography

I think that, at some point, everyone has come across and been introduced to the story of Little Orphan Annie. Three movies across the years, and songs that have become part of our lives from our childhoods to now. It’s a story that somehow we keep coming back too, so it is no surprise that the most recent West End production has headed out on the road, spreading its charm and joy up and down the country.

The cast are brilliant, with no weak link, you can not fault them. Kerrie Penrice plays Miss Hannigan and she suits the role to a tee. An imposing figure over the small children, carrying off the characteristic drunken stagger and the slight insanity every moment when the orphanage girls run riot. Paul Lumsden plays the role of Warbucks. He is easily able to show the change of character from emotionless business man, in love with only money, to the sensitive man who wants to love Annie.

Rachel J Clarke comes onto the stage with a wonderful grace and beauty as Grace Farrell, with gorgeous vocals and a beautiful ease to everything she did on stage. I have to also highlight Ethan Bowley who takes on the role of Rooster, his quick switch from man of comedy to sinister villain sends a chill down your spine.

You can’t go and see a show like Annie and not marvel over the talents of the show’s young stars. It always amazes me how they can remember everything and make it look so easy. it was the adorable Eliza Bullock that took on the role of Annie and she was simply brilliant. A very mature performer with lovely vocals and some amazing facial expressions, she could sum up a lot in just one look. Lula McLoughin was also a highlight as the littlest orphanage girl Molly, from the beginning to the end she had the audience hanging on her every word. The entirety of team (Isabella Hamilton, Ellie Baker, Grace Wilson, Sophia Reeve Dotty Shipton and the rest of the orphans) are amazing little performers and sure to all go far.

This slick production effortlessly danced from scene to scene, taking us from the orphanage to the grand surroundings of Warbuck’s mansion, then whizzing us away to Washington then back again. It delights in story telling, and never misses a beat. The Choreography by Maggie Jackson is incredible, from the energy of ‘Hard Knock Life’ and ‘Never Fully Dressed Without A Smile’ to the classic feel of ‘NYC’ and the beautiful waltz in the second act. ‘Hooverville’ was also a highlight choreographically, slick and clever and effortlessly performed by a faultless ensemble.

Annie, in my opinion, is timeless. It’s a story of dreams and want, woven in with a story of good versus bad. From the darkness of the orphanage and Annie’s backstory to the light of the mansion and of Annie’s new future, it takes us back to watching the film as children. This is a production that can enchant even the youngest of children and thoroughly entertain the adults as well, one for all the family.

Finally no show can happen without the director and behind the scenes crew. Paula Lumsden directs and absolute winner here with a company who are enjoying every minute, which shows in their performance. Musical Director Sheila Jackson and choreographer Maggie Jackson just added the razzmatazz to the show.

 

 

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