Jesus Christ Superstar – SCMTC ⭐️⭐️⭐️⭐️⭐️

Jesus Christ Superstar – Sutton Coldfield Musical Theatre

Sutton Coldfield Town Hall

Monday November 3rd – Dress Rehearsal

By Nigel Gambles

Photography – Studio 55 Photography

I know this show has enduring appeal; friends had raved about various productions of the rock opera, citing its powerful score, emotion, and timeless themes. Yes, the show still feels hauntingly relevant today. Telling the story of Jesus’s last week, themes of betrayal, fame, fear, bullying, and salvation can all be interpreted through a modern lens. Add to that a soaring, emotionally charged score, and you have a musical that still resonates today.

I first saw this show in 1973, it was the original production starring Paul Nicholas and Dana Gillespie when I was a young and impressionable teenager on a school trip to London. To this day, and after seeing many different musicals since, Jesus Christ Superstar remains one of my absolute favourites. It left a lasting impression on me through the sheer power of the music, the extraordinary vocals, and its timeless themes, which still feel just as relevant half a century later.

It takes no small amount of courage to stage Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar, a rock opera that demands powerhouse vocals, razor-sharp musical timing, and a flair for the theatrical. Sutton Coldfield Musical Theatre’s production rises to the challenge with energy, conviction, and moments of genuine brilliance.

From the opening guitar riff of “Heaven on Their Minds,” it was clear this was a group ready to give their all. Leo Foëtu-Foster’s Judas anchored the show with a strong voice and emotional intensity, navigating the character’s moral torment with a raw, human touch. Opposite him, Tom Well’s Jesus balanced serenity and anguish, delivering “Gethsemane” with a vulnerability that will hush the room. Definitely a standout moment of the evening.

Juliet Fisher’s portrayal of Mary Magdalene was another standout performance. She brought warmth and quiet strength to the role, balancing tenderness with emotional depth. Her performance of “I Don’t Know How to Love Him” was delivered with sincerity and beautiful control, providing a gentle contrast to the intensity of the surrounding scenes. The chemistry between Mary, Jesus, and Judas was believable and added a human touch to the story’s spiritual themes.

The chorus brought strong energy to ensemble numbers like “Hosanna” and “Superstar,” and their enthusiasm, vibrant presence and commitment creating a dynamic atmosphere.

Making his debut as director Simon Smith has made imaginative use of the modest stage space, using minimal props barring some stepped section at the rear and sides of the stage and the cross in the finale. Doing so he has created a fast-paced production that never loses its sense of intimacy.

A particular highlight of this production was the choreography, which was both imaginative and dynamic. Under the direction of Maggie Jackson, the movement was tightly executed and visually striking, enhancing the storytelling without ever feeling forced. From the pulsating energy of the crowd scenes to the subtle, expressive gestures in the more reflective moments, the choreography added a layer of professionalism and polish that lifted the entire production. It was clear the cast had worked hard to master the demanding routines, and their commitment paid off beautifully.

The live band, led by Sheila Pearson, provided a solid rock backing that gave the show its essential drive. At times the volume seemed a little overpowering, but the overall sound was impressive.

Lighting by Going Dark Theatrical heightened intensity and mood, while the costuming blended traditional and contemporary elements effectively. More than the technical achievements, what shone brightest was the passion of the entire company.

This production was clearly a labour of love, and that heartfelt commitment carried right through to the final moments.

Haunting Julia – Sutton Arts Theatre ⭐️⭐️⭐️⭐️⭐️

Haunting Julia – Sutton Arts Theatre

Sutton Arts Theatre

Thursday 23rd October 2025 – Opening Night

By Nigel Gambles

Photography – Studio 55 Photography

The play is set twelve years after the death by suicide of Julia Lukin, a phenomenally talented young musician who had some desperate psychological problems. Her father, who still cannot come to terms with her death, has turned her student bed-sitting room into a museum which the public can visit – for himself it is a shrine to her memory.

The production team at the Sutton Arts always produce good sets, and this one is no exception. The single bed with the teddy bear on the pillow might at first seem to be a child’s bedroom, but the roped-off barrier around the bed soon suggests something else – and this barrier becomes essential to the themes of the play.

The play promises the audience ‘thrills and chills,’ but really the play is more complex and troubling than an exciting ghost story. It explores the reasons for Julia’s suicide, and the part that three different men may have had in leading to her death.

This involves many tensions and confrontations between the men, who become increasingly disturbed by the revelations that emerge during both halves of the play. This makes big demands on the cast – it is a long play that has to be carried by just three actors. Luckily all three are capable of meeting the challenge. David Stone as Julia’s father not only conveys his own pain but also helps us realise how oppressive he may have been as a parent to a gifted but unhappy daughter. David brought out the range of his character well – sometimes garrulous, opinionated and intolerant of disagreement, but also vulnerable and frightened that he may have been at fault. Alan Groucott gives a solid performance as Andy, Julia’s former student boyfriend who has tried to put her death behind him. He seems to be the voice of exasperated common sense, but by the end he is horrified by what he hears and experiences in this room. Ian Eaton has the trickiest role as Ken Chase, the volunteer psychic who, again, turns out to have had more to do with Julia than he is willing to reveal. Julia is played by Leah Fennell although we don’t see Julia we certainly hear from her

Finally, the special effects were very striking, and at the end they certainly lived up to the claims of being spine-chilling. They made a dramatic finish to the production, and left us with a lot to wonder about.

The show is directed by Claire Armstrong-Mills who has directed many plays in Birmingham theatres. Ten of them have been at Sutton Arts Theatre, she has however never directed a ghost story, nor yet any play by Alan Ayckbourn. Claire was intrigued to be given the chance to do both in a single play, Haunting Julia. Claire has thoroughly enjoyed working on this challenging and little-produced play with a talented and committed cast and crew.

My Fair Lady – Cloc Musical Theatre Company ⭐️⭐️⭐️⭐️⭐️

My Fair Lady – Cloc MTC

Sutton Coldfield Town Hall

Wednesday 22nd October 2025 – Opening Night

By Nigel Gambles

Photography – Studio 55 Photography

‘My Fair Lady’ is a wonderful show. The musical is set in London, in that great period at the beginning of the 20th century, when the Empire, King and country were all Great with a capital G, and tells the story of a famous English Language phonetician, Henry Higgins, who makes a bet with friend and fellow linguist, Colonel Pickering, that he can turn a working-class flower seller into a high society lady in six months. The challenge is accepted, since Eliza herself the “guttersnipe” flowergirl wishes to learn to speak properly in order to work in a flower shop.

I have seen the show once before about 25 years ago with a star studded cast including Jonathan Pryce, Martine McCutcheon and Dennis Waterman, very nice you might say, but my point is that this cast from Cloc MTC could easily take their places, so polished and professional are their performances.

First off, this is a long show nearly three hours so get comfortable for a long but rewarding journey in uncomfortable theatre chairs!

The set is predominantly a huge screen showing scenes of London, Covent Garden, Ascot and general street scenes. This worked superbly with only a few props having to be moved on and off stage.

John Biddell plays Henry Higgins. One of the standout aspects of Johns’s portrayal was his ability to capture Higgins’ arrogance and condescension. Higgins is a character who is used to getting his way and sees himself as superior to those around him, particularly Eliza. John was able to convey this sense of superiority through his posture, facial expressions, and vocal inflections, at the same time he also showed Higgins vulnerability and humanity. John managed to show this complexity through his performance and particularly his interactions with Eliza.

Moving on to Eliza Dolittle, Audrey Hepburn who made this role unmatchable that is until Samantha Rogers took on the role, her fabulous voice and wonderful acting gave soul to the character. Her vocal range is incredible and she demonstrates excellent control. She brought Eliza to life in a way that few performers have before. Her performance was subtle and detailed and her singing had wonderful quality that draws the audience in and keeps them engaged. Her incredible voice, combined with her acting skills, made her portrayal of Miss Doolittle truly unforgettable. She left a lasting impression on us.

Matt Beebe made a lively, spritely, and considerate Pickering. A lovely clear voice and diction as well as a great stage presence helped his character along nicely. Hayley Howen as Henry’s mother, Mrs.Higgins was a delight, as was Stacey Muxlow’s Mrs Pearce. Alex Nash gives a wonderful performance as the lovestruck Freddie and his rendition of On The Street Where You Live was beautiful and really endearing.

The principals were supported by a large and enthusiastic chorus of all ages, filling the stage where necessary.

Producer Rosemary Ravenscroft has done an excellent job pulling together this mammoth show whilst installing a level of commitment and enthusiasm from what must be hours and hours of rehearsals, that is off the scale, this can be seen in the dance sections choreographed by Teresa Biddell which are superb and so in sync – perfect.

The orchestra led by Peter Wingate were excellent if not somewhat over powering in a few sections. Lighting by Going Dark was as usual “spot on”.

Charlie & The Chocolate Factory – Lichfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Charlie & The Chocolate Factory – Lichfield Musical Youth Theatre

Lichfield Garrick

Tuesday 23rd September 2025

By : Nigel Gambles

Photography by : LMYT

Charlie and The Chocolate Factory The Musical opened on the West End in 2013 where it ran for 3.5 years but it took another 10 years for the show to tour the UK. The show is based on the Roald Dahl book which tells of Charlie Bucket who spends his day dreaming of chocolate. When Willy Wonka announces a chance for 5 children to win a tour around the famous chocolate factory, it sends the world into a frenzy but with Charlie’s family struggling to afford just one chocolate bar it looks unlikely that they would win, let alone the chance to win the biggest prize of them all.

The show is one of two halves. Act 1 focuses on the hunt for the winning tickets, Charlie’s daily struggles and his relationship with his Mother and Grandparents also the burgeoning friendship with the chocolate shop owner. As each child that wins a ticket they get a song that introduces their character with an introduction from reporters. Charlie finding the ticket seemed a little anti-climatic and the magnitude of this event glossed over swiftly. The second act however is where the magic begins and we meet Willy Wonka and venture into the Chocolate Factory itself. The use of a giant projection screen really helps us visualise the factory and the interior along with some fantastic props (I won’t spoil it).

The cast are all very strong. Zach Andrews plays Willy Wonka and did so with a good mix of eccentric and genius, giving a strong performance beyond his years, his vocals strong and beautifully delivered. Brandon Westaway plays Charlie with fantastic enthusiasm, again his singing was excellent. Zephan Rowe took on the role of Grandpa Joe who gets out of bed for the first time in years to take Charlie on the trip of a lifetime. Zephan portrayed Grandpa Joe with a huge amount of heart and had the audience rooting for him from the start. I also enjoyed the portrayal of Mrs Bucket, played by Eleanor Foulds. My favourites had to be the Oompa Loompa’s fantastic make up and energy, oh and their poor knees you’ll see what I mean

The rest of the golden ticket winners Eliza Bullock as Veruca Salt frightening , Leo Stubbington as Mike Teevee and Isabella Hamilton as Violet Beaurearde (make sure you don’t miss the bit where she balloons in size) all play their roles with enthusiasm and skill.

The rest of the cast play their parts with such energy and enthusiasm and vocally fantastic you’ll be tired just watching them.

This is a great show professionally staged directed and choreographed with passion by Oliver Rowe and Jemma Tiso-Johnson and full credit must also go to the backstage team led by Matthew Garfield and to musical director and the orchestra led by Ian Stephenson.

Grease – Tudor Musical Comedy Society ⭐️⭐️⭐️⭐️⭐️

Grease – Tudor Musical Comedy Society

Sutton Coldfield Town hall

Monday 22nd September – Dress Rehearsal

By Nigel Gambles

Photography – Studio 55 Photography

We all know Grease we’ve seen the film with Danny, Sandy, T-Birds and Pink Ladies. Tudor MCS are, and will be performing it in style and you will be off to the Town Hall like “Greased Lightning” to watch it.

The show starts at the 25 year reunion for Rydell High, I don’t think I’ve seen this start before and I’ve seen the show more times than I can count. Anyway, this is the original opening with Eugene giving a rousing speech mentioning those who are missing. This segues ways into the T Birds and Pink Ladies singing a version of the Rydell Alma Mater, leading into a very energetic rendition of “Grease is The Word”

Its now flashback time, so off we go to Rydell High where the students are returning after summer break. Danny leader of the T-Birds meets up with the rest of the gang and reminisces about his summer on the beach and the girl he met, played by Elliot Scott-Lolley. He captures the strutting tough guy leader, his vocals are strong and he sings with confidence. Meanwhile Sandy played by Mia Davies is a school newcomer and is introduced to the Pink Ladies and she also tells of her summer romance while being put down by Rizzo, played by Charlotte Raybould. This brings us to the duet “Summer Lovin” Mia plays Sandy with a shy naivety her voice lovely crisp and tuneful.

Looking at the rest of the cast first, the T. Birds Doody, Roger, Kenike and Sonny played by Alex Nash, James Rowney, Dan McCloskey and Alex Tuckwell they absolutely nailed the camaraderie of the gang and had a perfect natural feel. Their singing was strong and energetic their individual songs also strong and effective. Now the Pink Ladies Rizzo, Frenchie, Marty and Jan played by Charlotte Raybould, Emily Loftus, Samantha Rogers and Eloise Tanley. Looking resplendent in their pink jackets were all perfect. Charlotte nailing the cynical strong alpha female, Emily looks the part of Frenchie the wannabe beauty therapist, Samantha perfect for the role of Marty, the worldly-wise member of the ladies with much experience in wine, men and cigarettes. Eloise as Jan plays the uncool member of the ladies who doesn’t stop eating excellently. All these ladies have fantastic voices singing with passion.

The rest of the cast play their roles with and gusto, bringing energy to the dance sequences and power to the group vocals indeed “Hand Jive” is just that and encourages audience participation, so you better brush up on your hand jive.

Juliet Fisher’s direction of the show is excellent and you can see her passion and commitment throughout. The cast also show this in their polished and slick delivery. Connie Mortiboy’s choreography is fantastic and the hours of practice show in the flowing and energetic dance routines. Full credit must also be given to the costumes makeup and backstage crew, also to Going Dark Theatrical Services for their excellent and atmospheric lighting.

Lichfield Operatic Society – Rock of Ages ⭐️⭐️⭐️⭐️⭐️

Rock Of Ages – Lichfield Operatic Society

Lichfield Garrick

Monday 15th September 2025 (Dress Rehearsal)

By : Nigel Gambles

Photography by : Studio 55 Photography

Rock of Ages is ultimately a love story set in the 80’s in LA. Drew (Lewis Collier-Smith) is ‘just a city boy, born and raised in South Detroit‘, hoping to make it big as a rock star. He meets ‘small town girl‘ Sherrie (Shannon Robinson) who also has a dream, she wants to be a famous actress. Like most stories, their tale of falling in love isn’t an easy ride.

The story takes place between two clubs on Sunset Strip. The show was loud, bright and it definitely was rocking!

Lonny (James Pugh) introduced himself and the show, not only was he a ‘barman’ at The Bourbon Bar, he was also the Narrator. He absolutely stole the show for me, he was hilarious, so at ease with the audience, he was OTT which made him more funny, he was loud and loveable. Shannon Robinson is Sherrie, she is perfect with the right amount of naivety for the girl in the big city, and she has the most gorgeous voice. Lewis who plays Drew the bus boy who just doesn’t know how good his voice really is produces a great performance of the shy and quiet and unassuming singer with a strong and powerful voice.

This show is a different kind of musical, it definitely doesn’t take itself seriously. It was fun and naughty, very naughty in parts! It was extremely cheesy, but I love cheese. It was very tongue-in-cheek and has a concert-style feel throughout. Adam Merrall plays Stacee Jaxx and he gives a great performance.

What makes this show fantastic is the cast, all of whom are fantastic. The singing and of course the soundtrack. The cast are all stars, their voices are fantastic.

Director Emma Hall has done an amazing job with the cast, every single member was full of enthusiasm and having the time of their lives. Charlotte Jervis on choreography duty yet again delivers some truly amazing and perfectly synchronised routines. Finally David Easto, musical director and band leader. The band were spot on and their renditions of the 80’s classics perfect.

The part of the show that had everyone standing up and dancing in the aisles is the soundtrack. The massive 80’s hits that the whole musical is set against. Journeys ‘Don’t Stop Believing’ was sung towards the end, bringing the audience up on their feet, clapping and singing along. Other massive hits includes ‘Built This City’, ‘I Want To Know What Love Is’ and ‘The Final Countdown’.

Rock Of Ages is a show I won’t forget and it’s rocking! It was loud, fun, naughty and brilliant!

Heritage Day 2025

What a fantastic day it was for Heritage Day! 🎉 The Town Hall was buzzing with excitement as we enjoyed behind-the-scenes tours, previews from local Musical Theatre groups, and exclusive film screenings by Sutton Coldfield Movie Makers. 🎭🎬 We even had the unique opportunity to have our names on a roof slate, creating a permanent reminder of this special day!

The Food Festival brought delicious flavors to the town centre, featuring an array of local delicacies that tantalized our taste buds. From artisanal cheeses to mouthwatering street food, there was something for everyone to enjoy! 🍴🌮

Meanwhile, exhibitions at Sutton Coldfield Train Station showcased our rich history, with intriguing displays that told the stories of our town’s past. The Masonic Lodge opened its doors for fascinating tours, sharing stories from the past that captivated all who attended. It was a rare glimpse into the history and traditions of this historic building, adding even more depth to our understanding of Sutton Coldfield.

What did you get up to? Did you visit any of the other events? Share your experiences below! 👇✨

#HeritageDay #SuttonColdfield #CommunityEvents #LocalHistory #FoodFestival #SupportLocal

Beauty & The Beast – Script Youth Musical Theatre ⭐️⭐️⭐️⭐️⭐️

Beauty & The Beast – Script Youth Musical Theatre Company

Crescent Theatre

Thursday 11th September 2025 – Dress Rehearsal

By : Nigel Gambles

Photography by : Studio 55 Photography

This familiar story, is a magical tale of mystery, sorcery, dreams, sadness, longing, and a just-in-time happy and moving ending.

A young prince, cursed and imprisoned in the form of a beast must find true love before the last rose petal falls to break the spell.

The true love appears in the form of Belle played by Erin Phillips, a wonderful singer with an amazing voice, a village girl who is being pursued by the narcissistic and arrogant hunter Gaston played to perfection by Findlay Laidlaw a strong and powerful vocalist, along with his side-kick LeFou the talented and hilarious Evie Rice, more on Evie later.

Belle refuses Gaston’s advances, yet the other village girls Effie Jobling, Isabelle Round and Darci Rice very amusingly fawn for his attention and affections.

Belle comes face to face with the Beast Samuel McCormac in his castle, whilst looking for her father Maurice, Zachariah Scrivens, who has been captured and selflessly ends up swapping places to gain his freedom. Belle soon befriends a host of wonderful characters in the ‘enchanted’ castle, who hope ‘this is the one to break the spell’. This magnificent group – Lumiere (Kian Haden), Mrs Potts (Chloe Mason), Chip (Oliver Malkin), Cogsworth (Amiee Whillis), Madame De La Grande Bouche (Jess Lewis) and the constantly amusing Babette (Louise Heard) are forever memorable.

Despite a turbulent beginning, a deep friendship develops between Belle and Beast and eventually the curse is broken. The true prince is revealed, Gaston is seen off, and peace, dance and merriment ensue. Therein lies the underlying message of the play: inward characteristics such as kindness should forever be valued over superficial qualities like appearance.

Forgive me for not mentioning by name the many other young actors, but they were all fantastic and the final number including the whole cast was a total delight.

Well done to Louise Farmer for such creative, enthusiastic production and once again ensuring that she got the maximum enthusiasm and effort from the whole cast and Kelly McCormac for the meticulous choreography. A very special mention to Evie Rice who upon finding out the group would be doing Beauty and the Beast jumped at the chance to design and make Belles dresses as part of her finals at BOA, they are superb.

I have always thought that putting one’s trust and faith in children and young people brings out their best. Script Youth Musical Theatre certainly helps in this by promoting positive growth opportunities such as confidence building, creativity, communicating and working with others, as well as enabling the skills of acting, singing and dancing.

Animal Farm – Aldridge Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Animal Farm – Aldridge Youth Theatre

Aldridge Youth Theatre

Thursday 3rd July 2025

By : Nigel Gambles

Photography by : Aldridge Youth Theatre

“All animals are equal. But some animals are more equal than others.”

This is a very challenging show to put on especially when the cast is so young and may not fully grasp the underlying message of Orwell’s story but I need not of worried as the cast delivered an outstanding performance even though a couple of the cast had opening night nerves they coped admirably.

August 2025 will mark the 80th Anniversary of the first publication of the famous novella by George Orwell – Animal Farm.

The plot is well known – a group of exploited animals rebel against their human tyrant farmer and seize the land that they live on in the hope of creating a world where they can be equal, happy and free. However, as is so often the way when power shifts, they soon have to face a very alarming question – is the grass truly greener on the other side? The farm quickly becomes a nightmarish abattoir – where the rich get richer and the poor are exploited to within an inch of their lives.

Ava Hunt gives a masterclass as Squealer, the masterminding pig – cunning, ruthless and self-serving.

Our sympathies lie completely with the hard working and noble carthorse Boxer (Alex Wells), whose betrayal by the dastardly pigs is presented in Biblical proportions. The emotional response of his partner Clover (Charlotte Clements) is well portrayed.

Perhaps the most notorious character in the piece, Napolean, the dictator-leader of the new order is brought to life by Libby Humphries – a pompous and seemingly benign individual (the most dangerous tyrant of all) who believes his own propaganda and courts admiration from those who don’t see through the bluster and bumble.

The stage was split in two with one half dedicated to the storytellers who are on stage the whole time guiding the audience and playing and reading when not speaking. The other side of the stage is the farm indicated by hay bales and barn doors, this is where most of the play takes place.

The costumes for the animals were all black and headwear depicted which animal they were.

Production by Richard Mcnally-Reilly and his team was very good and creative using all the space available on stage and in the auditorium.

All in all this was an excellent show with good solid performances from every one involved with such a deep and humanitarian story the production could have floundered, but in this case the opposite is true.

Six The Musical – Teen Edition : Lichfield Musical Youth Theatre ⭐️⭐️⭐️⭐️⭐️

Six The Musical – Teen Edition : Lichfield Musical Youth Theatre

The Hub St Marys

Wednesday 2nd July 2025

By : Nigel Gambles

Photography by : LMYT

What a wonderful, colourful show excellently performed by the young company. I have not seen Six before and I thoroughly enjoyed it. The setting in St Marys Hub was absolutely the perfect place for it and the sound and lighting design by Sam Burkinshaw and Stephen Rainsford complemented it perfectly

The six wives filled the stage with their exuberant singing. The stunning costumes designed and made by Sue Broad were perfect showing the different personalities of the wives beautifully

As with all the shows that I’ve seen from Lichfield Musical Youth Theatre, the standard of performance, choreography, acting and overall sheen is of top priority, and this show has all of the above and an added fistful of sass and attitude.

The six wives of Henry VIII are Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Katherine Howard, and Catherine Parr. “Six” tells each of their stories in a very atypical fashion: the wives have all come together as part of a pop girl group, and they each sing a song about who has suffered the most as Henry’s wife. The winner will be the new leader of the group.

Evelyn Maymand plays Catherine of Aragon : The first wife of Henry VIII, was known for her strength and determination. She sings “No Way” and stands her ground despite her divorce. Evelyn was absolutely solid through out and set a high bar for the other queens to follow.

Anne Boleyn: The second wife of Henry VIII infamous for her beheading and she likes to remind you, was portrayed with great wit by Jess Horne. “Don’t Lose Ur Head” is such a well known number and Jess brought all the sass and energy this deserved.

Jane Seymour: The third wife of Henry VIII, often seen as the love of his life, was so beautifully played by Molly Bastable. She depicted the gentle and kind mother who died in childbirth with such emotion. Singing “Heart of Stone”, you would have needed one to not be moved.

Anne of Cleves: Maiya Ogden was the fourth wife of Henry VIII, known for her short-lived marriage to the king. This a difficult part as you need to be pragmatic and somewhat aloof especially when singing “Get Down”. Maiya was more than up to the task and totally nailed it.

Katherine Howard: The fifth wife of Henry VIII, was Beth Winspear. Beth was excellent as she took the audience on the journey of a young and naive girl who meets a tragic end. As she sang “All You Wanna Do” she showcased the desire for love and the unsavoury attention that can bring.

Catherine Parr: The sixth and final wife of Henry VIII was Molly Darby. Catherine was known for her intelligence and influence and Molly carried the characterisation with skill beyond her years. “I Don’t Need Your Love” was amazing.

All SIX girls performed to the highest standard and it was easy to forget you were watching a youth production. You could see clearly that each one had lived the part and were having fun.

Jessica Bennett is the Director and Choreographer and Oliver Rowe Musical Director of SIX and what a show they gave us. Technically as close to perfect as you could get. With spectacular lighting and great use of space, they got the very best from her undoubtably talented singers and dancers.

I would have to say that overall “Six” was a total triumph and a credit to all those involved

If you don’t want to lose your head hurry and get those tickets the show runs until Saturday 5th July with 2 performances each night 6.30pm and 9.00pm

Chop Chop..

https://thehubstmarys.co.uk/events/lmyt-six-teen-edition/